OF MEAT AND LOLLIPOPS
A time there was when concert programmes comprised a merry medley of music high and low, the short and sweet alongside the longer and the lofty. That changed in the second half of the 19th century, when..
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Gregorio Zanon
It’s been twenty years since the first public performance of Gregorio Zanon’s music. It was in 1999, in Geneva. The pianist Xavier Dami, who had encouraged Zanon’s early attempts at composition and helped him understand the expressive resource..
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EMILE ET LA VEILLÉE, UN CONTE DE FÉES !
La Veillée occupait une place particulière dans le coeur de son auteur. En effet son histoire, commencée comme un cauchemar, se poursuit comme un conte de fées..
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Nannerl Mozart
The music and personality of Wolfgang Amadeus Mozart have always been very close to my heart. I could not have predicted, however, that the late 18th century would become alive to me beyond his music and his life.
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The most well-known venues have already hosted the young musician: Paris Philharmonic, Musikverein in Vienna, KKL Luzern, Basel Casino, Dijon Opera, Flagey in Brussels, Teatro Colon Buenos Aires, Kennedy Center Washington....
The recording made in 2016 by the Claves Records label and dedicated to Gabriel Fauré, Francis Poulenc and Komitas was greatly acclaimed by critics, including the Musica Prize. She obtained a “coup de coeur” by the French-speaking Belgian Radio-Television during the 2017 Queen Elisabeth competition.
Since making the decision to establish his own trio with bassist Werner Spies and drummer Hugo Radyn in 2006, Charl du Plessis has alerted audiences to the complexities and capabilities of combining jazz and classic music. The creative possibilities of this musical unit have offered him the means to produce a wide range of music not confined by any style or genre.
One of Ireland's most successful musicians, Dubliner Finghin Collins was born in 1977 and studied piano at the Royal Irish Academy of Music with John O'Conor and at the Geneva Conservatoire with Dominique Merlet. Winner of the RTÉ Musician of the Future Competition in 1994 and the Classical Category at the National Entertainment Awards in Ireland in1998, he went on to achieve major international success by taking first prize at the Clara Haskil International Piano Competition in Switzerland in 1999. Since then he has developed a flourishing international career that takes him all over Europe, the United States and the Far East.
The multi-talented musician was appointed the youngest principal flutist at the Winterthur Symphony Orchestra and at the Lucerne Festival Orchestra with additional conducting responsibilities. It followed a period of full time opera and symphonic conducting.
ICMA AWARD 2019
Seventeenth-century Wrocław (then Breslau) was one of Europe’s important musical centres. Its three main Protestant churches – St. Elisabeth, St. Mary Magdalene and St. Bernardine – collected extensive music libraries.
Their repertoire was shaped both by prints imported from Italy and Germany, and by works composed by local cantors and organists employed in church ensembles.
A separate collection of nearly 400 prints from 1610–55 reposed in private hands for most of the century.
It had probably been initiated by Ambrosius Profe, the organist of the Church of St. Elizabeth in 1633–49, and later owned by Daniel Sartorius, a teacher in the church gymnasium.
After the latter’s death the music prints were incorporated into the Biblioteca Rhedigeriana, a collection of rare manuscripts, prints, paintings, sculptures, coins and minerals assembled by a Breslau patrician Thoms Rhediger (1540–76).
PERFORMERS
Stephan MacLeod – Conductor
GLI ANGELI GENÈVE
Aleksandra Lewandowska, Grace Davidson – Sopranos
Alex Potter – Alto
Jan Kobow, Stephan Gähler – Tenors
Stephan MacLeod – Bass
Marzena Michałowska, Aleksandra Turalska – Sopranos
Piotr Olech – Alto
Maciej Gocman, Václav Čížek – Tenors
Jaromír Nosek – Bass
CONCERTO PALATINO
Bruce Dickey, Gawain Glenton – Cornets
Simen Van Mechelen, Claire MacIntyre, Charles Toet, Joost Swinkels – Trombones
WROCŁAW BAROQUE ORCHESTRA
Zbigniew Pilch (Leader), Adam Pastuszka – Violins
Dominika Małecka – Viola
Jarosław Thiel (Artistic Director) – Cello
Ondřej Štajnochr – Violone
Adrian Rovatkay – Dulcian
Marcin Szelest (Musicologist, Artistic Consultant) – Organ
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Derived from the viole da braccio family rather than that of the viols, the cello gained its independence in the Cremona cradle of Italian instrument making between the 16th and early 18th century. It adopted the shape of a large violin – so large that it cannot rest on the shoulder like a violin or viola and is therefore held between the legs; an adjustable pin planted in the ground was added from the middle of the 19th century to...
This album will be available in physical beginning of January 2020. Thank you for your understanding. For all orders before this date, please contact the Quatuor.
THE EMANCIPATION QUARTETS
No...
This CD was born from the pleasure and desire to highlight the rarity and delicacy of madrigals and frottole by Philippe Verdelot and Bartolomeo Tromboncino. The beauty and “cantabile” character of this music seduced both Paul Kieffer and myself. Our musical collaboration began in 2012, during our Masters studies at the Schola Cantorum in Basel in the medieval-Renais...
“My enthusiasm flows towards the heritage of the phenomenal Cremonese violins. After displaying the wonderful golden period violin of 1718 by Antonio Stradivari ex Deszö Szigeti /ex Benno Walter (private edition by the author), it is my pleasure to present an early violin by Giuseppe Guarneri del Gesù, the Caspar Hauser of c1724. The six solo sonatas by Eugène Ysaÿe present a wonderful platform for this powerful instrument and, especially, ...
