Swiss Music Film, Anthology 1923-2012
What would a film be without its music? It has happened to every one of us: we hear a snatch of melody and a flood of images appears before our inner eye, all triggered off by the memory of the music. When it’s film music, often..
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Flowers of Degrowth
Spring 2020: The fight against coronavirus brought all concerts to a halt for musicians. Among the various initiatives that rapidly flourished, here are Benjamin Righetti's "Flowers of degrowth", recorded on the..
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Francesco Mancini
The exceptionalism of eighteenth-century society marked every sector of contemporary culture, promoting not solely the liberation of humanity, but also profoundly affecting science, literature,..
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Ton Koopman
This was the dream of the current director of the Claves label: to record his favourite work ever, in its original version and with a pioneer of Baroque interpretation, Ton Koopman. One of Joseph Haydn's most mature works, The Seven Last Words..
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Matthäus-Passion
This recording was made in April 2019 at the Ernest-Ansermet Studio in Geneva, after five concerts in Switzerland during the preceding days. The desire to be as faithful as possible to the rhythm of the drama of the Passion..
FIND MORECOVID-19 & CLAVES
Regarding to the actual situation due to the Covid-19 in the World and in Switzerland, we would like to inform you
that Claves does all its possible
to deliver orders as usual and does its best to continue producing music with its regular partners.
Unfortunately, the whole music world like a lot of other industries, is impacted by this situation.
A lot of retailers are closed, distribution is perturbed,
providers too.
You will maybe observe some delays these next weeks in the deliveries or in our answers depending
on the international evolution of this crisis.
We already thank you today for your understanding and your fidelity.
Obviously don't forget that all our music could be listen online!
Take care of you and your family, we hope that the situation will come back to normal soon.
Your Claves team, Patrick & Raphael
NEW RELEASES
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The most well-known venues have already hosted the young musician: Paris Philharmonic, Musikverein in Vienna, KKL Luzern, Basel Casino, Dijon Opera, Flagey in Brussels, Teatro Colon Buenos Aires, Kennedy Center Washington....
The recording made in 2016 by the Claves Records label and dedicated to Gabriel Fauré, Francis Poulenc and Komitas was greatly acclaimed by critics, including the Musica Prize. She obtained a “coup de coeur” by the French-speaking Belgian Radio-Television during the 2017 Queen Elisabeth competition.
Since making the decision to establish his own trio with bassist Werner Spies and drummer Hugo Radyn in 2006, Charl du Plessis has alerted audiences to the complexities and capabilities of combining jazz and classic music. The creative possibilities of this musical unit have offered him the means to produce a wide range of music not confined by any style or genre.
One of Ireland's most successful musicians, Dubliner Finghin Collins was born in 1977 and studied piano at the Royal Irish Academy of Music with John O'Conor and at the Geneva Conservatoire with Dominique Merlet. Winner of the RTÉ Musician of the Future Competition in 1994 and the Classical Category at the National Entertainment Awards in Ireland in1998, he went on to achieve major international success by taking first prize at the Clara Haskil International Piano Competition in Switzerland in 1999. Since then he has developed a flourishing international career that takes him all over Europe, the United States and the Far East.
The multi-talented musician was appointed the youngest principal flutist at the Winterthur Symphony Orchestra and at the Lucerne Festival Orchestra with additional conducting responsibilities. It followed a period of full time opera and symphonic conducting.
ICMA AWARD 2019
Seventeenth-century Wrocław (then Breslau) was one of Europe’s important musical centres. Its three main Protestant churches – St. Elisabeth, St. Mary Magdalene and St. Bernardine – collected extensive music libraries.
Their repertoire was shaped both by prints imported from Italy and Germany, and by works composed by local cantors and organists employed in church ensembles.
A separate collection of nearly 400 prints from 1610–55 reposed in private hands for most of the century.
It had probably been initiated by Ambrosius Profe, the organist of the Church of St. Elizabeth in 1633–49, and later owned by Daniel Sartorius, a teacher in the church gymnasium.
After the latter’s death the music prints were incorporated into the Biblioteca Rhedigeriana, a collection of rare manuscripts, prints, paintings, sculptures, coins and minerals assembled by a Breslau patrician Thoms Rhediger (1540–76).
PERFORMERS
Stephan MacLeod – Conductor
GLI ANGELI GENÈVE
Aleksandra Lewandowska, Grace Davidson – Sopranos
Alex Potter – Alto
Jan Kobow, Stephan Gähler – Tenors
Stephan MacLeod – Bass
Marzena Michałowska, Aleksandra Turalska – Sopranos
Piotr Olech – Alto
Maciej Gocman, Václav Čížek – Tenors
Jaromír Nosek – Bass
CONCERTO PALATINO
Bruce Dickey, Gawain Glenton – Cornets
Simen Van Mechelen, Claire MacIntyre, Charles Toet, Joost Swinkels – Trombones
WROCŁAW BAROQUE ORCHESTRA
Zbigniew Pilch (Leader), Adam Pastuszka – Violins
Dominika Małecka – Viola
Jarosław Thiel (Artistic Director) – Cello
Ondřej Štajnochr – Violone
Adrian Rovatkay – Dulcian
Marcin Szelest (Musicologist, Artistic Consultant) – Organ
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OF MEAT AND LOLLIPOPS
A time there was when concert programmes comprised a merry medley of music high and low, the short and sweet alongside the longer and the lofty. That changed in the second half of the 19th century, when Richard Wagner and others introduced the concept of the “symphony concert”, usually in three weighty parts, namely an overture, a...
Rediscover online the treasures of “Radio Romande” (currently RTS-Espace2), and the great days of the Lausanne Festival !
Legendary artists are featured on the programme: pianists Arrau, Cziffra, Gilels as well as Michael Studer, a Swiss piano figure-head, and a loyal Claves artist since the creation of the label in Thun in 1968.
What would a film be without its music?
It has happened to every one of us: we hear a snatch of melody and a flood of images appears before our inner eye, all triggered off by the memory of the music. When it’s film music, often we only need to hear a brief fragment of a melody and the whole film seems to roll before us.
Is there anything more touching than the perfect combination of image and music in a film scene? It is th...
Thierry Scherz Prize Sommets Musicaux de Gstaad 2019
The wealth of music composed for the viola in the 20th century almost lets one forget the dearth of it in the 19th, which brought forth only two solo works of note: Hector Berlioz’s Harold in Italy, a concerto commissioned by Paganini that sidelines the viola so...
