(2009) Metamorphose (n): Transcriptions for Piano After Romantics Composers
CD set: 1
Catalog N°:
CD 2905
Release: 12.05.2009
EAN/UPC: 7619931290522
- UPC: 884385458553
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This album is no longer available on CD.
18.50 CHF
This album is no longer available on CD.
This album is now on repressing. Pre-order it at a special price now.
18.50 CHF
This album is no longer available on CD.
This album has not been released yet.
Pre-order it at a special price now.
18.50 CHF
This album is no longer available on CD.
18.50 CHF
This album is no longer available on CD.
: TRANSCRIPTIONS FOR PIANO AFTER ROMANTICS COMPOSERS
Today he is back with a recital programme centered around the art of transcription – very much in fashion during the 19th and early 20th century. "Metamorphoses" (as it is called) includes pages from Liszt; Friedman; Moszkowski as well as the famous Leopold Godowsky; master of the art. Pages in which virtuosity rivals with delicate sounds and colours; and in which we alternately meet Bellini's Norma; Saint-Saëns' Cygne; Bizet's Carmen or even Wagner's Tannhäuser. A joint production with the Südwestrundfunk Ludwigshafen studio and a presentation text by Etienne Barillier; in which the writer questions the very essence of these pages – "transcription or ré-création?"
(2009) Metamorphose (n): Transcriptions for Piano After Romantics Composers - CD 2905
Our first encounter with the young German pianist took place three years ago; during the Sommets Musicaux de Gstaad. Winner of the "Marguerite Dütschler Prize"; he subsequently recorded two magnificent Liszt concerts with the Deutsche Staatsphilharmonie Rheinland-Pfalz and Ari Rasilainen (Claves CD 50-2707).
Today he is back with a recital programme centered around the art of transcription – very much in fashion during the 19th and early 20th century. "Metamorphoses" (as it is called) includes pages from Liszt; Friedman; Moszkowski as well as the famous Leopold Godowsky; master of the art. Pages in which virtuosity rivals with delicate sounds and colours; and in which we alternately meet Bellini's Norma; Saint-Saëns' Cygne; Bizet's Carmen or even Wagner's Tannhäuser. A joint production with the Südwestrundfunk Ludwigshafen studio and a presentation text by Etienne Barillier; in which the writer questions the very essence of these pages – "transcription or ré-création?"
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