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A tribute to a virtuosity that is full of finesse; today reaching a new solo recital; dedicated to the most contrasting worlds of the first half of the 20th century.\n\u003cbr\u003e\u003cbr\u003e\nThe young German pianist presents rather rare pages of this repertoire; of which he is both guide and adamant champion. “Jongen; Reger and Scriabin were born in the same period; but not in the same space of time”; writes Etienne Barillier in the introductory booklet. “It would no doubt be rather simplistic to oppose them in the way that \" French spirit \"; \" German soul \" and \" Russian mysticism \" are opposed; yet each universe of sound is a total contrast; and fed by the genius of their own individual musical traditions.” \n\u003cbr\u003e\u003cbr\u003e\nJoseph Jongen (1873-1953) is Belgian and bathes in the inheritance of the great French masters of the turn of the century - Franck; Fauré; Chausson; Ravel; Debussy. 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Au-delà de ces questions qui demeurent ouvertes, Barilier salue l'intérêt de son couplage avec le Concerto en ut mineur de CPE Bach: «Bach avait écrit pour le clavecin; le recours au piano tend à “moderniser” son univers.\u003c\/p\u003e\n\u003cp\u003eTandis que de son côté, le piano quasi monodique de Beethoven a quelque chose d’archaïque et de curieusement dépouillé, qui fait reculer son oeuvre dans le temps. Si bien qu’à nos oreilles, les deux concertos tendent à se rapprocher, témoignant d’une “sensibilité” presque comparable, à la fois vive et sereine, et d’une même expressivité, profonde et sans pathos. Pour Carl Philip Emanuel Bach, les orages du Romantisme sont encore loin. 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Extraordinarily gifted with perfect pitch; she began studying piano at 3 years old with Jiaquan Chen; professor at the Central Conservatory of Music in Beijing. When she was 9; she entered the Geneva Conservatory under the instruction of Mayumi Balet-Kameda and at 13 began her Bachelors of Arts in Music with Pascal Devoyon at the Geneva Superior Conservatory.\n\u003cbr\u003e\u003cbr\u003e\nAt the age of 14; she gained her Bachelors degree with the highest honours; also receiving the François Dumont Prize for the best interpretation of a Beethoven sonata. At 16; she was awarded her Master Soloist Diploma with distinction; as well as the Georges Filipinetti and Carola Pajonk prizes for the musician with the highest and most refined musical sensitivity. 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Frank Martin belongs to those composers whose language went through a long period of development before maturing fully as they approached their fifties. He did not attend a music school but trained - at the same time as his classical studies – with a single master; Joseph Lauber. The latter; a prolific composer whom his pupil rightly deemed “a very good technician; but less of an artist”; imparted to him a mastery of musical writing that Frank Martin never ceased to better through his own studies of the great masters. \u003cbr\u003e\u003cbr\u003eAlthough his Trois Poèmes païens (1910); the first of his works to appear in his catalogue; is still under Post-romantic influence; Frank Martin soon freed himself from it to steer towards Impressionism (Les Dithyrambes; Pavane couleur du temps) before gradually turning towards other means of expression. Around 1925 he developed a passion for rhythmic research; leading him to become a disciple of Emile Jaques-Dalcroze; and of which such works as the Trio sur des thèmes populaires irlandais (Trio based on popular Irish melodies) or Rythmes (for full orchestra) are examples. During the following decade; his interest in dodecaphony and his approach towards emancipation from tonal music can be seen in his First Piano Concerto; the Symphony and the String Trio. All of this research; all these transcended influences filtered through the prism of his exceptional personality and talent; make up the language of his mature years. This language first appears in all its fullness in the secular oratorio Le Vin herbé (1938-41) that Frank Martin himself defined as «[…] the first important work in which I spoke my own language. » \u003cbr\u003e\u003cbr\u003eThe years 1940 to 1949 witnessed the creation of numerous ballets by Swiss composers such as Jean Binet (L’Ile enchantée); Henri Gagnebin (Printemps); Hans Haug (L’Indifférent) Arthur Honegger (La Naissance des couleurs; L’Appel de la montagne); André-François Marescotti (Les Anges du Greco) and Frank Martin who wrote Das Märchen vom Aschenbrödel during the autumn of 1941; shortly after completing Le Vin Herbé. The composer had already tried his hand at ballet music with Die blaue Blume; which had won a second prize in 1935 in a competition organized by the Zurich Theatre; but which was never staged and whose orchestration was never finished. \u003cbr\u003e\u003cbr\u003eDas Märchen vom Aschenbrödel was first performed at the Basel Municipal Theatre on 12th March 1942; conducted by Paul Sacher; together with a choreographic performance of Monteverdi’s Combattimento di Tancredi e Clorinda. It is based on Aschenputtel; the tale by the Grimm brothers – very similar to Charles Perrault’s Cinderella – onto which the dancer Marie-Eve Kreis built a scenario. Despite its great initial success; this remarkably innovative score was then totally and unjustly forgotten. \u003cbr\u003e\u003cbr\u003eThe work is divided into three acts and uses a small; unusual palette of instruments: a flute; an oboe; a trumpet; a trombone; two saxophones; a piano; percussion and strings. Four singers (soprano; mezzo-soprano; contralto and tenor) share the different character parts; their texts being mostly taken from Grimm’s original tale. The score shows an underestimated angle of Frank Martin’s art; a charm and sense of humour already visible in La Nique à Satan; a wonderful popular show composed in 1929; and again present in the opera Monsieur de Pourceaugnac. \u003cbr\u003e\u003cbr\u003eThe first act starts with a long sung introduction; presenting the characters and setting the action: after the death of his wife; Aschenbrödel’s father remarried; this nasty second wife and her two daughters proceed to turn the poor child’s life into absolute misery. The curtain rises on this evil household; the music portraying the opposing natures: suffering and kindness on one hand; materialism and meanness on the other. Frank Martin commented on this himself: In a most spontaneous fashion; the material element expressed itself in a style inspired by jazz music. Jazz holds an obvious esthetical value for me; it is invariably impregnated into each of us; ready to spring out at the first opportunity. But it is an art and esthetic beauty totally void of any ethical value; a purely material; soulless type of art and beauty. […] On the contrary; there is evolution in Aschenbrödel; although matter is unchanging; the spirit is by essence the source of all development. […] To represent Aschenbrödel’s humility; the oboe seemed to me the obvious choice; with its rustic yet profound sound. […] As for the Fairy; her formal yet mysterious intervention will be depicted by the flute and muted strings […]. Having outlined the heroine’s distress; the first act then hosts the intervention of the Fairy; who adorns Aschenbrödel for the ball held by the Prince; to which her step-mother refused to take her. \u003cbr\u003e\u003cbr\u003eAct two takes place at the Royal Palace. The ball is in full swing when Aschenbrödel appears; magnificent; no one recognizing her. The Prince is hypnotized; he leads her into a fabulous waltz; suddenly interrupted by the twelve strikes of midnight and the young lady’s flight; leaving the King’s son in despair. He swears he will only marry the one whose foot will fit into the shoe left behind by the mysterious visitor. \u003cbr\u003e\u003cbr\u003eAct three begins by a fugato – in which the four singers echo the Prince’s oath – then brings us back to the set of the first act. Aschenbrödel is dreaming about the events as the two sisters barge in; furious at having been eclipsed by her. They go as far as mutilating their foot to try to fit it into the shoe brought by the messenger; and the younger sister is about to succeed when the birds; Aschenbrödel’s friends; tell of the treachery. The Prince discovers the young girl whom the step-mother was trying to hide; takes her into a slow dance while the three vile women are punished by the birds and all the singers celebrate; as Frank Martin says; the victory of good over evil; of spirit over matter. \u003cbr\u003e\u003cbr\u003eJacques Tchamkerten - Head of the Library of the Geneva Music Conservatory\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 id=\"reviews\"\u003eREVIEWS\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.diapasonmag.fr\/\" rel=\"noopener\" target=\"_blank\"\u003eDiapason Magazine\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[..] Le compositeur en exploite toutes les ressources expressives, et son inventivité nous vaut une fin d’acte I surnaturelle, une scène de bal enamourée, un final angoissant jusqu’au triomphant happy end. A l’écoute aveugle, rien ne distingue l’Orchestre de la Haute Ecole de Musique de Genève d’un ensemble professionnel. Ils servent une équipe de chanteurs engagés, d’où émerge le soprano velouté de Clémence Tilquin, sous la direction fine et légère du chef Gabor Takacs-Nagy. Un apport significatif à la discographie de Frank Martin.\" - Olivier Gutierrez, avril 2013\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.theartsdesk.com\/classical-music\/classical-cds-weekly-frank-martin-mei-yi-foo-powerplant\" rel=\"noopener\" target=\"_blank\"\u003eThe Arts Desk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[..] His fairies are accompanied by music that’s just as delicate as Prokofiev’s, and I’d argue that Martin’s visceral depiction of midnight’s chimes is more terrifying, the texture abruptly thinning after the twelfth bell stroke. The vocal parts are delicious, particularly the pair of women’s voices used to portray the birds’ chorus. The closing chorus is magical. The orchestral playing is indecently accomplished, the players’ sense of shared discovery palpable. Unmissable, in other words. Track this CD down and buy multiple copies for friends and acquaintances. They’ll be grateful.\" - Graham Rickson, May 2013\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/mutheute.com\/\" rel=\"noopener\" target=\"_blank\"\u003eMusik und Theater\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[..] «Le conte de Cendrillon» erzählt die bekannte Aschenputtel-Geschichte, der (deutsche) Text von Marie-Eve Kreis bleibt eng an der Grimm’schen Vorlage. Das gut einstündige Ballett wurde nun nach dem grossen Erfolg der Uraufführung seinem langen Dornröschenschlaf entrissen. Dank Genfer Interpreten: Die Musikhochschule und das Grand Théâtre brachten das Stück vor drei Jahren mit wiederum grossem Erfolg auf die Bühne, das Orchester der «Haute École de musique» der Rhonestadt unter der Leitung von Gábor Takács-Nagy ging anschliessend ins Studio und spielte es für Claves ein. Zwar kämpfen einige der vier Sänger manchmal ein bisschen mit den Tücken der deutschen Sprache, aber sonst gibt es an dieser wundervollen Aufnahme nichts auszusetzen: Sängerisch haben die Solisten ihre Partien mit ausdrucksvollem und souveränem Gesang im Griff, und das Instrumental ensemble, das insbesondere in den immer wieder mit virtuosen oder jazzigen Soli herausgefordert ist, macht beste Figur in diesem hörenswerten Martin-Ballett.\" - Reinmar Wagner, August 2013\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.letemps.ch\/culture\/musiques\/un-ballet-retrouve-chaussure-pied\" rel=\"noopener\" target=\"_blank\"\u003eLe Temps\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Si vous assimilez la musique de Frank Martin uniquement à l’austérité grandiose de Golgotha et de ses autres oeuvres d’inspiration religieuse, vous avez une idée limitée de la diversité de ses registres. Le compositeur genevois a cultivé tous les genres. Le moins connu est bien celui du ballet! Au beau milieu de la guerre, alors qu’il vient de terminer Le Vin herbé.[..]\" - Pierre Michot, janvier 2013\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cominmag.ch\/tag\/lhebdo\/\" rel=\"noopener\" target=\"_blank\"\u003eL'Hebdo\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[..] L’enregistrement de la RTS a immédiatement aiguisé la curiosité puis l’intérêt du label Claves, installé à Pully et dirigé depuis peu par Patrick Peikert. «Cette redécouverte d’une partition totalement oubliée entre parfaitement dans l’esprit de notre maison», s’enthousiasme le producteur, bluffé non seulement par l’oeuvre, mais encore par l’interprétation fabuleuse des étudiants genevois dirigés par Gábor Takács-Nagy. «L’enregistrement est accessible depuis trois semaines sur plateforme électronique et suscite déjà beaucoup de réactions, jusqu’au Japon.» [..]\" - Dominique Rosset, février 2013\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.nzz.ch\/\" rel=\"noopener\" target=\"_blank\"\u003eNeue Zürcher Zeitung\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[..] Den Charakter der Stiefmutter und der ambitiösen Schwestern geben Saxofon und Blechbläser in jazznahem Stil wieder. Für Aschenbrödel stehen Oboe und Flöte sowie die Streicher mit noblen Klängen ein. Das Genfer Hochschulorchester bringt die unterschiedlichen Tanzweisen auf ansprechendem Niveau zum Klingen. Die vier Solisten pflegen nicht immer ein astreines Deutsch, geben aber die Charaktere der Märchenfiguren treffend wieder. Pikant, dass die böse Stiefmutter und die gute Fee von derselben Solistin gesungen werden. 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Outre son activité de soliste, il est très demandé comme chambriste et accompagnateur de Lieder. Également improvisateur, il collabore avec des artistes de divers horizons. Il partage sa vie entre Genève et Paris. www.fabriziochiovetta.com\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRares sont les musiciens qui parviennent à s’approprier le piano schubertien, lui apporter des perspectives inattendues, sans «dénaturer» son caractère et son mystère: musique du drame intime, du doute, qui s’enracine dans une spontanéité terrienne. Cette voix confidente, plus que l’interpréter, le pianiste doit la chanter, librement, simplement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMais cette simplicité est complexe: paradoxe vertigineux et banal de la voix de l’homme: en arrière-plan de la tendresse la plus chaleureuse, il y a un cri. Une faille, qui se fait sillon fertile quand du creux même de l’errance et de ses miroitements naît une luminosité singulière. La voix schubertienne se trouve bien dans cet «entre-deux»: le chant, intime sans être intimiste, n’efface pas la violence du cri, ni ne la masque, mais la manifeste dans ses infinies diffractions, comme un apprivoisement perpétuel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eC’est peut-être dans ses chefs-d’œuvre pour piano seul que Schubert place le musicien au cœur du paradoxe: le compositeur de Lieder, en renonçant à la voix chantée invite l’instrumentiste à jouer seul, mais pas «en soliste». Comme s’il s’agissait d’accompagner une voix absente, et de révéler justement par ce jeu «en manque» de vocalité l’essence solitaire du chant. Loin de l’héroïsme romantique, le pianiste schubertien n’affirme pas. Il ne dit pas «je chante» ou «j’accompagne»: il chante.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAvec Schubert, Fabrizio Chiovetta est dans le «vif de son sujet». Musicien intuitif et sensible, improvisateur plein d’humour et de spontanéité, le pianiste genevois répond à l’invitation au voyage schubertien en passant émerveillé, et n’a besoin de rien souligner pour que les architectures se construisent et que la magie se déploie. Riche de son art d’accompagnateur de Lieder, il laisse l’énigmatique voix schubertienne émerger de son piano, et la module tendrement, lui trouve un «ton» unique… qui effleure pour mieux toucher, qui contourne pour mieux saisir, comme si ne subsistait du cri schubertien qu’une réminiscence fragile et radieuse.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl arrive que les voix d’un compositeur et d’un interprète se rencontrent pleinement, mais souvent dans une continuité «filiale»: la voix des pères, quand on ne la quitte pas, on la «travaille». La voix de Schubert est pour les musiciens qui l’entendent celle d’un frère absent. Une trace d’une bouleversante proximité, qui invite généreusement à dire sa propre solitude.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabrizio Chiovetta nous offre à entendre dans cet enregistrement sa voix profondément «schubertienne».\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eValentin Peiry\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Claves Records","offers":[{"title":"CD 1213 \/ 1 \/ Fabrizio Chiovetta","offer_id":39924539981859,"sku":"1213","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"191018933135 \/ upc \/ Fabrizio Chiovetta","offer_id":42184084430,"sku":"1213","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"15.01.2013 \/ release \/ Fabrizio Chiovetta","offer_id":45642173262,"sku":"1213","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/schubert-piano-sonata-d-960-moments-musicaux-d-780\/1214334102 \/ iTunes \/ Fabrizio 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Au fil de son histoire, l’Orchestre Symphonique d’Euskadi a mis un point d’honneur à faire connaître la création musicale basque, s’impliquant dans une politique intense de nouveaux mandats et de représentations ou, dans le cas présent, en créant cette collection discographique, véritable condensé indispensable de la musique basque. L’Orchestre rend ainsi ses lettres de noblesse à la musique symphonique basque du XXe siècle, et c’est bien là le grand mérite de cette collection entamée par l’œuvre de Jesús Guridi et qui se clôt à présent par celle de Carmelo Bernaola.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEntre ces deux artistes, toute une palette de compositeurs, certains éminemment reconnus, d’autres moins, mais tous à créditer d’une belle production musicale. Voilà l’un des autres avantages de cette collection, qui met ainsi en lumière les œuvres de Pedro Sanjuán, Valentín de Zubiaurre, Beltrán Pagola, Luis de Pablo, Juan Crisóstomo de Arriaga, Aita Madina, Tomás Garbizu, Aita Donostia, Pablo Sorozábal, Francisco Escudero, Andrés Isasi, Jesús Arámbarri, José Mª Usandizaga et Jesús Guridi. Un travail délicat, qui n’aurait pas pu être couronné de succès sans la collaboration d’Eresbil (les Archives des Compositeurs basques).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eL’empreinte de Carmelo Bernaola marque toute la trajectoire de l’Orchestre Symphonique d’Euskadi. De fait, les notes du compositeur d’Otxandio (Bizkaia) ont retenti à l’occasion de quantité de ses concerts, durant le cycle des Matinées de Miramon, lors de représentations durant la semaine musicale Musikaste et à la Quincena Musical de Saint-Sébastien. C’est en 1985 que Carmelo Bernaola reçoit le premier de ses nombreux mandats de l’Orchestre. Plusieurs d’entre eux seront d’ailleurs regroupés ultérieurement dans une collection consacrée à la musique contemporaine sous la houlette, une fois encore, de Juanjo Mena. Carmelo Bernaola a également fait office de chef d’orchestre en 1983, aux commandes de la bande originale du film « Y el mundo marcha », dans le cadre du Festival International de Cinéma de San Sébastien ou à la baguette du troisième album de l’Orchestre intitulé « Armonías Vascas ». Nous concluons à présent notre collection avec un ouvrage monographe consacré au compositeur, dont les œuvres sont compilées pour la première fois sur un même disque.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCette magnifique collection a pu voir le jour grâce au Département de la Culture du Gouvernement basque, principal promoteur de ce projet articulé autour de la production musicale basque. Elle porte également le sceau de l’entreprise MONDRAGON, sponsor de toute la collection, et que nous remercions pour son soutien inconditionnel. Sans elle, la musique symphonique basque n’aurait pu disposer d’une si belle vitrine internationale.","brand":"Claves Records","offers":[{"title":"CD 1214 \/ 1 \/ Euskadiko Orkestra Sinfonikoa","offer_id":39924540014627,"sku":"1214","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"887845441454 \/ upc \/ Euskadiko Orkestra Sinfonikoa","offer_id":42184086222,"sku":"1214","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"01.03.2013 \/ release \/ Euskadiko Orkestra Sinfonikoa","offer_id":45642173390,"sku":"1214","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Euskadiko Orkestra Sinfonikoa \/ orchestra \/ Euskadiko Orkestra Sinfonikoa","offer_id":6987226546240,"sku":"1214","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Juanjo Mena \/ conductor \/ Euskadiko Orkestra 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Such was not the case for the well-educated middle-class of the 19th century. Among those who sought out the music of Wagner, Liszt, and Richard Strauss, it was often by means of piano reductions and small-scale instrumental arrangements that could be performed in the intimacy of the home. The advent of violin virtuosos like Eugène Ysaÿe, Jascha Heifetz, and Toscha Seidel brought this tradition into the concert hall. If the musical transcriptions represented, to varying degrees, a departure from the composer’s original intentions, one should remember that there already existed strong historical precedent: J.S. Bach had refashioned several of his own violin concertos for harpsichord; Mozart had rescored Handel’s Messiah for a larger sized orchestra; Beethoven had recast his 9th Piano Sonata as a string quartet; and Rossini had liberally reused overtures and arias from earlier works. Whether resulting from lofty artistic considerations or the need for additional income, composers and performers had for centuries willingly arranged and tailored their own works and those of others to the constraints of particular venues and specific performers, so much so that a natural inclination towards flexibility and adaptation seems woven into the very fibers of the music itself. \n\u003cbr\u003e\u003cbr\u003e\nWagner was no exception to this rule. Beginning in 1839, he spent three destitute-ridden years in Paris eking out a living as an arranger of French operatic music. Mignonne, one of his more noteworthy lieder from this period, exhibits a melodic grace perfectly suited to the language and style of Pierre de Ronsard’s poem. In 1861, hoping finally to triumph in a city that had seemingly ignored his talents two decades prior, Wagner returned to Paris with a newly revised version of his opera Tannhaüser. The production was a failure and closed after only three performances. In the wake of this bitter disappointment, Wagner composed two short but emotionally charged works for piano: Albumblatt, dedicated to the wife of the Austrian ambassador to France, and Ankunft bei den schwarzen Schwänen (The Arrival of the Two Black Swans), inspired from an early morning walk in the Tuileries. In the first work, presented here in an arrangement by 19th century violin virtuoso August Wilhelmj, a lyrical yearning theme gradually builds in intensity and until the impassioned arrival of Wagner’s hallmark half-diminished 7th chord. In the second work, this same unstable harmony is used in almost obsessive fashion, delaying confirmation of the work’s A-flat tonality until the final measure.\n\u003cbr\u003e\u003cbr\u003e\nThe discovery of Schopenhauer’s writings in 1854 – particularly the notion of music’s ability to describe the true essence of things – exerted a strong influence on Wagner. From that point forward, Wagner, in his vocal works, relied less on text as a way of communicating dramatic meaning. He composed Traüme in 1857 for piano and female voice as the last of 5 songs set to poems by Mathilde Wesendonck. Intended in part as a study for the composition of Tristan und Isolde, the song’s dream-like mood is captured by a two note descending melodic figure, which seems to hover nearly motionless over a chromatically infused 8th note pulse. Equally demonstrative of Wagner’s genius is Walter’s Preislied from the third act of Die Meistersinger von Nürnberg. At this pivotal moment, Walter sings for Hans Sachs a newly composed song, thereby demonstrating a marked improvement from the previous attempt made in the opera’s first act.\n\u003cbr\u003e\u003cbr\u003e\nFranz Liszt – friend, colleague, admirer, and eventual father-in-law to Wagner – produced dozens of virtuosic keyboard arrangements and paraphrases of famous works, often intended as vehicles to display his own prodigious talents as a performer. The Romance Oubliée, Première Elegie, and Am Grabe Richard Wagners are late works reflecting Liszt’s gradual shift towards a less bombastic, more austere style. Romance Oubliée was originally conceived as the song, Oh pourquoi donc, composed in 1843, but passed through various guises before the finalized 1880 version for viola and piano, which Liszt in turn adapted for violin. The Première Elegie was composed in 1874 for several possible instrumental combinations as well. In this compact work, an angst-ridden descending half-step motif is masterfully widened to a whole-step amidst a transcendent coda. Am Grabe Richard Wagners, an homage of ephemeral and short-lived beauty, was originally composed for string quartet and harp in 1883. Its sparse melodic material is derived from both the grail leitmotif from Wagner’s final opera, Parsifal, and the opening theme of Liszt’s own choral work, Die Glocken des Strassburger Münsters.\n\u003cbr\u003e\u003cbr\u003e\nAn einsamer Quelle (A Solitary Spring) is the second of five mood-paintings that Richard Strauss composed for piano in 1884. It is, in essence, a song without words whose simple melodic lyricism welcomes the addition of a violin in Hugo von Steiner’s transcription. Cäcilie was composed in 1894 as a wedding gift to Strauss’s wife Pauline. Based on a love poem by Heinrich Hart, the work is a spirited embodiment of joy and exhilaration.\n\u003cbr\u003e\u003cbr\u003e\nRichard Strauss’s Violin Sonata in E-flat Major from 1888 occupies a unique place in the composer’s oeuvre and stands at a sort of stylistic crossroads. On one hand, it represents the culmination of Strauss’ conservative musical education by strictly adhering to three movement classical sonata form. On the other hand, it bears the marked influence of Wagner and Liszt in its harmonic innovations and tonal wanderings. 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For while Beethoven was deaf, not dotty, Schumann’s state of mind in the early 1850s was often precarious. There were his séance obsessions, the voices in his head, the black dog days and finally the plunge into the Rhine after trying to pay the bridge-keeper’s toll with a handkerchief. Schumann’s wife Clara felt so embarrassed by his last works that she destroyed some and left others unpublished. But critics and commentators soon began reading Schumann’s madness much further backwards, taking earlier signs of formal irregularity in his music as proof of incipient insanity. \n\u003cbr\u003e\u003cbr\u003e\nSchumann’s late works deserve a more differentiated approach. While we must acknowledge that several written before his final breakdown are hardly strong enough to catch on – such as the Violin Concerto – there are many others from his Düsseldorf years that are truly compelling. This latter group must include the works on this CD; the Märchenbilder (“Fairy tale pictures”) op. 113 and the Second Violin Sonata op. 121, both composed in 1851. \n\u003cbr\u003e\u003cbr\u003e\nSchumann had begun his career as a composer for the piano, then after his marriage branched out successively into the lied, the symphony, chamber music, choral music and opera, almost as if he were ticking off one genre after another. His approach to chamber music for strings with piano was similarly methodical, though reductive: a piano quintet was followed by a piano quartet, then piano trios, and then from 1 to 4 March 1851 he wrote his first piano and string duo: the Märchenbilder for viola and piano (also issued with an alternative violin solo part). He dedicated them to Wilhelm von Wasielewski, his concertmaster in Düsseldorf, who tried them out with Clara and two years later gave their first public performance. Schumann called these pieces mere “childish pranks” though this was probably just overcautious modesty. Not only was this his first solo work for viola, but also just about the first-ever solo viola work by any Romantic composer of note. Schumann initially couldn’t decide on a title, calling them “viola stories”, “fairy-tale songs” and finally “fairy-tale pictures”, though all of these refer to the narrative element inherent in them. The first and third pieces certainly seem to be “telling” us something, though we know not what; the second is a “hunting horn” rondo; and the fourth and last piece sounds like a Brahmsian lullaby avant la lettre (its main theme, incidentally, seems to hover behind the opening of Mahler’s Ninth Symphony, also in D). \n\u003cbr\u003e\u003cbr\u003e\nSchumann wrote his First Violin Sonata, op 105 in a minor, in September 1851. Barely a month later he was writing a Second, this time in d minor. Where the First was in three movements, the Second is cast in four and is altogether more expansive. The slow opening is in a sarabande rhythm and reminiscent of the Chaconne from Bach’s Violin Partita in d minor (a work that Schumann knew well). The opening theme is generally agreed to be based on the surname of the dedicatee, the violinist Ferdinand David (with an “f” substituting for his “v”). The same theme opens the fast-paced movement proper, which is by turns passionate and lyrical, hesitant and agitated and veritably sweeps one along. The second movement, in b minor, is a “hunting” scherzo whose shift into the major towards the close is a magical moment that just about every critic agrees is Schumann at his best. The third movement is a set of variations in G major on a theme – first given pizzicato by the violin – that is a simple as it is memorable (some, incidentally, hear in it an echo of Luther’s chorale “I cry to thee in deepest need”). The last movement is in sonata form, and in its tempestuousness recalls the first movement. Schumann had published his First Sonata soon after its composition, so it was probably just the fear that he might swamp the market that made him hold back the Second for another two years. Despite the dedication to David, it was Joseph Joachim who gave the work’s first public performance in autumn 1853, organized roughly to coincide with its publication. Joachim loved it, writing to his friend Arnold Wehner on 10 September that “it is for me one of the loveliest creations of recent times in its magnificent unity and the concision of its themes. It is full of passion … The last movement is splendid in the way it ebbs and flows, and could be a landscape of the soul”. But just a few months after the composer’s death, Eduard Hanslick was already damning the Second Sonata as proof of Schumann’s declining powers. It suited Hanslick’s historical view of things to see a long, gradual decline instead of any abrupt biographical fracture. But the work itself merits no such nonsense. Had Schumann suddenly died in 1852 instead of dwindling away afterwards, Hanslick might well have joined Joachim in declaring the work “magnificent”; for that’s what it is. \n\u003cbr\u003e\u003cbr\u003e\nClara Schumann’s great fortune in life – as she saw it – was to fall in love and marry a composing genius. Her great misfortune in life – one might argue – was the same. Fêted as one of the leading pianists of her age, she was also a gifted composer, though outshone by her husband. Robert was outwardly supportive of her composing efforts, but since Clara also functioned as the conveyor belt for his babies he was of little concrete help to her career – she produced almost as many children as she did opus numbers during their marriage.\n\u003cbr\u003e\u003cbr\u003e\nClara’s Three Romances for violin and piano op. 22 were composed in July 1853 and dedicated to Joachim. They belong among her “last” works – after this year, she hardly ever composed again. In stylistic terms they are clearly situated in the Mendelssohnian\/Schumannian tradition. But even where their mood might seem at first to reflect the bourgeois salon, phrases here and there are subtly elongated or shortened, little cross-rhythms come and go (as in the opening bars of No. 1) and unexpected harmonies intrude (such as the augmented chords in the final bars of No. 3) that altogether reveal a more complex sensibility. After Robert’s decline, Clara returned to her career as a piano virtuoso in order to feed the family. A pity she did not resume composing on a larger scale; the music world would have been the richer for it.\n\u003cbr\u003e\u003cbr\u003e\nChris Walton","brand":"Claves Records","offers":[{"title":"CD 1502 \/ 1 \/ Cédric Pescia","offer_id":39924540538915,"sku":"1502","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"191018908140 \/ upc \/ Cédric Pescia","offer_id":42184093582,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"01.01.2015 \/ release \/ Cédric Pescia","offer_id":45642174222,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/schumann-works-for-violon-viola-piano\/id1210038266?l=fr \/ iTunes \/ Cédric Pescia","offer_id":32339022282787,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/open.spotify.com\/album\/3v07S7F2sYRGBYmbEa6upN \/ Spotify \/ Cédric Pescia","offer_id":42903807822,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_n-2_2RC2_pDYiEi9DAWOCe9CxGu7cRm08 \/ Youtube Music \/ Cédric Pescia","offer_id":32924459827235,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ Qobuz \/ Cédric Pescia","offer_id":36599762830,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/ch-fr\/album\/schumann-works-for-violon-viola-piano-various-artists\/0191018908140 \/ Qobuz HD \/ Cédric Pescia","offer_id":42903808014,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/15477700 \/ Deezer \/ Cédric Pescia","offer_id":42903808078,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/2rWcKNd \/ AmazonMp3 \/ Cédric Pescia","offer_id":42903808142,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ Naxos \/ Cédric Pescia","offer_id":31662900366,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/cedric-pescia-nurit-stark\/schumann-works-for-violon-viola-piano\/15805744\/ \/ eMusic \/ Cédric Pescia","offer_id":15647376323,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/files\/1502_Schumann_Pescia_BOOKLET_itunes.pdf?6102410450466880480 \/ Booklet \/ Cédric Pescia","offer_id":15652137667,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=kX2a-bNRMYU\u0026list=PLy5IRCYvmbSxt7wKJrF0_9rKBfdmTHRoP \/ Video \/ Cédric Pescia","offer_id":64846331918,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/listen.tidal.com\/album\/70899385 \/ Tidal \/ Cédric Pescia","offer_id":42903808206,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/us.napster.com\/artist\/cedric-pescia\/album\/schumann-works-for-violon-viola-and-piano-claves-records \/ Rhapsody \/ Cédric Pescia","offer_id":42903808270,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Robert Schumann \/ Composers \/ Cédric Pescia","offer_id":31191123779,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.prestoclassical.co.uk\/r\/Claves\/501502 \/ Presto Classical \/ Cédric Pescia","offer_id":31245586115,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.e-onkyo.com\/music\/album\/cd1502\/ \/ E-onkyo \/ Cédric Pescia","offer_id":39879752078,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.prostudiomasters.com\/album\/page\/10878 \/ Pro Studio Masters \/ Cédric Pescia","offer_id":35068821838,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/mora.jp\/package\/43000072\/CD1502_F\/ \/ Mora \/ Cédric Pescia","offer_id":39879752142,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ HD-Music \/ Cédric Pescia","offer_id":31245586051,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.hdtracks.com\/schumann-works-for-violon-viola-piano-434084 \/ HD-Tracks \/ Cédric Pescia","offer_id":42903808334,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.slacker.com\/album\/nurit-stark-cedric-pescia\/clara-robert-schumann-works-for-violin-viola-piano \/ Slacker \/ Cédric Pescia","offer_id":42894771534,"sku":"1502","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/1502_Schumann_HR_RVB_sc_2.jpg?v=1499265335"},{"product_id":"the-seven-last-words-of-our-savior-on-the-cross-op-51-hob-iii-50-56","title":"(2000) The Seven Last Words Of Our Savior On The Cross, Op. 51, Hob. III:50-56","description":"Carmina Quartet\n\u003cbr\u003e\u003cbr\u003e\nMatthias Enderle, violin\u003cbr\u003e\nSuzanne Frank, Violin\u003cbr\u003e\nWendy Champney, Viola\u003cbr\u003e\nStephan Goerner, Cello\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\nThe Carmina Quartet was founded in 1984. Their stylistically convincing interpretations, technical perfection and musical intensity earned them recognition as one of the leading contemporary string Quartet. They have been accompanied throughout their development by eminent teachers such as Sandor Végh, Nikolaus Harnoncourt and the La Salle Quartet.\n\u003cbr\u003e\u003cbr\u003e\nSpectacular early successes at international competitions brought the Carmina Quartet to the attention of the critics and their international press and led to concert appearances throughout the world.\n\u003cbr\u003e\u003cbr\u003e\nIn addition to the ensemble’s diverse concert activities, including regular appearances with eminent musicians such as Olaf Bär, Mitsuko Uchida and Barbara Hendricks, they made a large number of recordings. These have been recognized with awards such as the Gramophone Award, the Diapason d’or and a Grammy nomination in Los Angeles.\n\u003cbr\u003e\u003cbr\u003e\nThe Carmina Quartet has been “quartet in residence” at the Winterthur\/Zurich School of Music (MWZ) since 1995.\n\u003cbr\u003e\u003cbr\u003e\n__________\u003cbr\u003e\nSchola Romana Lucernensis\n\u003cbr\u003e\u003cbr\u003e\nFounded in Lucerne in 1971, the Schola Romana Lucernensis is dedicated to the cultivation and performance of Gregorian chant; its regular director is Dominik Rickenbacher. The ensemble works in close collaboration with the choral director of the Abbey of Einsieldeln, Pater Roman Bannwart, who is also teacher at the Lucerne “Musikhochschule” (formerly the Academy for School and Church Music \/ Lucerne Conservatory). Pater Bannwart has assisted the group since its founding.\n\u003cbr\u003e\u003cbr\u003e\nThe Schola Romana Lucernensis has performed in Zurich, Basel, Rheinau and Wolkenstein (in Grödental), including in concerts with the Carmina Quartet.\n\u003cbr\u003e\u003cbr\u003e\nThey have also performed in concerts with the Lucerne Academy Choir, in conjunction with the Lucerne International Music Festival, for television DRS and at Comprecation Day concerts [Bettagskonzerten] at the Abbey of Einsiedeln.\n\u003cbr\u003e\u003cbr\u003e\nThe Schola Romana Lucernensis has worked closely with the Benedictine monks at the Abbey of Ensiedeln, striving to preserve the tradition of Gregorian chant and to make this music accessible to larger audiences. The members of the ensemble, which for some time has included female voices, view this as a their fascinating and gratifying challenge.","brand":"Claves Records","offers":[{"title":"CD 2002 \/ 1 \/ Carmina Quartet","offer_id":40119961387043,"sku":"2002","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410505062 \/ upc \/ Carmina Quartet","offer_id":42256792846,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2000 \/ release \/ Carmina Quartet","offer_id":45895715982,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/seven-last-words-our-savior\/id253839626?l=fr \/ iTunes \/ Carmina Quartet","offer_id":32339007111203,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/13cyUAp9jPHtoiihpzgrDi \/ Spotify \/ Carmina Quartet","offer_id":15872860675,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_nCAP9-PHAAfUoM5CmTCYZRQ1BjXN6BmdY \/ Youtube Music \/ Carmina Quartet","offer_id":39495907049507,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/bit.ly\/1mdfLm5 \/ Qobuz \/ Carmina Quartet","offer_id":15872860803,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/174296 \/ Deezer \/ Carmina Quartet","offer_id":15872860867,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/Seven-Last-Words-Savior-Cross\/dp\/B0025E4RLW\/ref=sr_shvl_album_1?ie=UTF8\u0026qid=1366203550\u0026sr=301-1 \/ AmazonMp3 \/ Carmina Quartet","offer_id":15872860931,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2002 \/ Naxos \/ Carmina Quartet","offer_id":31662379662,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/bit.ly\/1mdfYWv \/ eMusic \/ Carmina Quartet","offer_id":15872860995,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Carmina Quartet","offer_id":15872861059,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=2LoBgp3oVMo\u0026list=OLAK5uy_nCAP9-PHAAfUoM5CmTCYZRQ1BjXN6BmdY \/ Video \/ Carmina Quartet","offer_id":39497274392611,"sku":"2002","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2002.jpg?v=1453889977"},{"product_id":"schubert-quintets-d-956-d-8","title":"(2000) Schubert: Quintets D. 956 \u0026 D. 8","description":"Composed shortly before his death, the ineffably beautiful String Quintet in C Major D.956 was Schubert’s last chamber music composition. It is rightfully regarded not only as one of the composer’s most important works, but as one of the major works in the whole chamber music repertoire.\n\u003cbr\u003e\u003cbr\u003e\nThomas Mann said of the String Quintet that it is the music one would like to hear on one’s deathbed; it is indeed difficult to listen to it without feeling that Schubert must have had some premonition of the approaching end. It is the final and definitive expression of Schubert’s poetic vision, of that Romantic longing for the world beyond, whether in the dark lyricism of the first movement, the vigor of the Scherzo, the poetic Adagio, or the confident good humor of the closing movement.\n\u003cbr\u003e\u003cbr\u003e\nThis parting work is juxtaposed with one of Schubert’s earliest compositions, the Overture in C Minor for string quintet which the budding composer wrote in 1811 at the age of 14. It is characterized by formal clarity and dramatic expressiveness.\n\u003cbr\u003e\u003cbr\u003e\nThe Quartet Sine Nomine won First Prize and the Press Prize at the 1985 Evian International Competition; in 1987 it won the first Borciani Competition in Reggio nell’Emilia. The quartet has performed in the most important concert halls throughout Europe and America, including in London’s Wigmore Hall, New York’s Carnegie Hall and Amsterdam’s Concertgebouw.\n\u003cbr\u003e\u003cbr\u003e\nThe quartet has also recorded Brahms’ complete string quartets as well as his four quintets, Arriaga’s three string quartets, Haydn’s six quartets op. 76 and works by Turina for Claves. They are joined by cellist François Guye for Schubert’s C-Major Quintet, and by violist Michael Wolf for the youthful Overture in C Minor.\n\u003cbr\u003e\u003cbr\u003e\n__________\u003cbr\u003e\nFrançais\n\u003cbr\u003e\u003cbr\u003e\nComposé peu avant sa mort et d’une beauté ineffable, le quintette à cordes en ut majeur D.956 est la dernière composition de musique de chambre de Schubert. Elle est à juste titre considérée non seulement comme l’œuvre la plus importante de ce compositeur, mais aussi comme une des œuvres majeures de tout le répertoire de musique de chambre.\n\u003cbr\u003e\u003cbr\u003e\nThomas Mann disait de ce quintette que c’était le genre de musique que l’on aimerait entendre sur son lit de mort ; il est en effet, difficile de l’écouter sans avoir le sentiment que Schubert devait avoir certaines prémonitions quant à sa fin prochaine. C’est l’expression finale et définitive de la vision poétique de Schubert, de cette nostalgie romantique pour l’au-delà que ce soit dans le lyrisme sombre du premier mouvement, la vigueur du Scherzo, la poésie de l’Adagio ou la bonne humeur du mouvement final.\n\u003cbr\u003e\u003cbr\u003e\nCette œuvre «d’adieu» est ici juxtaposée à une des compositions de jeunesse de Schubert, l’ouverture en ut mineur pour quintette à cordes qu’il a écrite, à 14 ans, en 1811. Elle se distingue par sa clarté formelle et son expressivité dramatique.\n\u003cbr\u003e\u003cbr\u003e\nEn 1985, le Quatuor Sine Nomine a remporté le premier prix et le prix de la presse du Concours International d’Evian; en 1987, il a été le lauréat du premier Concours Borciani a Reggio nell’Emilia. Le violoncelliste François Guye les a rejoint pour le quintette en ut majeur de Schubert ainsi que l’altiste Michael Wolf pour l’ouverture en ut mineur.\n\u003cbr\u003e\u003cbr\u003e\n__________\u003cbr\u003e\nDeutsch\n\u003cbr\u003e\u003cbr\u003e\nDas unbeschreiblich schöne Streichquintett in C-dur D. 956, das Schubert kurz vor seinem Tod komponierte, war gleichzeitig sein letzes Kammermusikwerk. Zu Recht gilt es nicht nur als eines der wichtigsten Werke des Komponisten, sondern auch als eines der bedeutendsten kammermusikal-ischen Werke überhaupt.\n\u003cbr\u003e\u003cbr\u003e\nThomas Mann sagte einmal, dass man dieses Quintett gerne auf dem Totenbett hören möchte. Und tatsächlich ist es fast unmöglich, das Werk zu hören, ohne zu fühlen, dass Schubert sein nahes Endes vorausgeahnt haben muss. Hier beschreibt und vollendet er seine letzte künstlerische Vision, die romantische Sehnsucht nach dem Jenseits, die in der düsteren Lyrik des Eingangssatzes genau so stark zum Ausdruck kommt wie im kraftvollen Scherzo, im lyrischen Adagio oder im zuversichtlich gut gelaunten Schlusssatz.\n\u003cbr\u003e\u003cbr\u003e\nDieses Werk wird hier einer sehr frühen Komposition Schuberts gegenübergestellt, der Ouvertüre in c-moll für Streichquintett, die er 1811 im Alter von 14 Jahren geschrieben hat. Es zeichnet sich durch formale Klarheit und dramatische Expressivität aus.\n\u003cbr\u003e\u003cbr\u003e\nDem Sine Nomine Quartett wurde 1985 der Erste Preis und der Sonderpreis der Presse-Jury beim Internationalen Wettbewerb in Evian zugesprochen. Es gewann 1987 den ersten Borciani-Wettbewerb in Reggio nell‘Emilia. Seither ist das Ensemble in den bedeutendsten Städten Europas und Amerikas zu hören, namentlich in den berühmten Konzertsälen Wigmore Hall in London, Concert-gebouw in Amsterdam und Carnegie Hall in New York. Das Sine Nomine Quartett hat bereits sämtliche Streichquartette und die vier Quintette von Brahms, Arriagas drei Streichquartette, die sechs Quartette op. 76 von Joseph Haydn sowie Werke von Turina für Claves aufgenommen. Bei Schuberts Quintett in C-dur werden die Musiker vom Cellisten François Guye und für die Jugendouvertüre in c-moll vom Geiger Michael Wolf begleitet.","brand":"Claves Records","offers":[{"title":"CD 2003 \/ 1 \/ Quatuor Sine Nomine","offer_id":40119961419811,"sku":"2003","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"829410505161 \/ upc \/ Quatuor Sine Nomine","offer_id":42256797262,"sku":"2003","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2000 \/ release \/ Quatuor Sine Nomine","offer_id":45895716046,"sku":"2003","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/schubert-quintets-d.-956-d.-8\/id253840041?l=fr \/ iTunes \/ Quatuor Sine Nomine","offer_id":32339007143971,"sku":"2003","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/0FEWoCEFmYwmISRoyNd6Sg \/ Spotify \/ Quatuor Sine 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Strauss \u0026 Schoenberg: Violin Sonatas","description":"Brigitte and Yvonne Lang were winners of the prestigious Kiefer Hablitzel Foundation Award. In addition to prize money and concert appearances at the Menuhin Festival Gstaad, the Lang sisters are the first prize winners to be featured in the foundation’s newly inaugurated CD series. Claves Records is pleased to present the first recording in the «Kiefer Hablitzel Edition».\n\u003cbr\u003e\u003cbr\u003e\nBrahms composed his enchanting Violin Sonata at Lake Thun in Switzerland in 1886. Strauss’ Violin Sonata is a youthful work marked by the sweeping gestures of his first orchestral tone poems. The Daphne Etude and the Allegretto for Violin are two rarely performed miniatures from his later years. Schoenberg’s Phantasy is characterized by an inner peace and compositional clarity.\n\u003cbr\u003e\u003cbr\u003e\nIn addition to winning the Kiefer Hablitzel Foundation Award in 1998, violinist Brigitte Lang won first prize at the Swiss Youth Music Competition in 1990 and was a fellowship prize winner of the Migros-Genossenschaftsbund. She currently resides in London and Lucerne. Pianist Yvonne Lang earned her soloist’s diploma with honors in Lucerne in 1995. Likewise a Kiefer Hablitzel Foundation prize winner, Yvonne Lang was also a recipient of the Edwin Fischer Memorial Prize and a fellowship prize from the Migros-Genossenschaftsbund. \n\u003cbr\u003e\u003cbr\u003e\nThe two sisters have performed in duo since childhood, performing throughout Europe (including London’s Wigmore Hall) and North America. They won second prize at the international chamber music competition «Premio Trio di Trieste» in Italy in 1999.\n\u003cbr\u003e\u003cbr\u003e\n__________\u003cbr\u003e\nFrançais\n\u003cbr\u003e\u003cbr\u003e\nBrigitte et Yvonne Lang sont toutes les deux lauréates du prix de la Fondation Kiefer Hablitzel 1998. A part ce prix et un concert au Festival Menuhin de Gstaad 2000, les sœurs Lang sont les premières à qui a été offert un enregistrement qui inaugurera l’«Edition Kiefer Hablitzel», une nouvelle série de CD créée par la Fondation. Claves Records est heureux de présenter ce premier disque.\n\u003cbr\u003e\u003cbr\u003e\nBrahms composa sa magnifique «Thuner Sonate» pour piano et violon pendant son premier été passé au bord du Lac de Thoune en 1886. La Sonate pour violon de Strauss, une œuvre de jeunesse, à la légèreté et la vivacité de ses orchestrations de poèmes, tandis que l’Etude Daphné et l’Allegretto pour violon et piano sont deux miniatures écrites vers la fin de sa vie. La Fantaisie de Schoenberg est empreinte de grande sérénité et clarté.\n\u003cbr\u003e\u003cbr\u003e\nLa violoniste Brigitte Lang remporta un premier prix avec mention au Concours des Jeunesses Musicales de Suisse et gagna un prix doté d’une bourse d’études octroyée par la Coopérative Migros. Elle vit actuellement à Londres et à Lucerne. La pianiste Yvonne Lang obtint à Lucerne en 1995 son diplôme de soliste avec mention. Elle remporta le premier prix institué à la mémoire d’Edwin Fischer ainsi que le prix doté d’une bourse d’études de la Coopérative Migros. Les deux sœurs jouent en duo depuis leur enfance. En 1992, elles remportèrent le second prix du Concours international «Premio Trio di Trieste» en Italie. Elles ont donné des concerts, entre autres, au Wigmore Hall de Londres, à Paris, en Ecosse ainsi qu’au Canada.\n\u003cbr\u003e\u003cbr\u003e\n__________\u003cbr\u003e\nDeutsch\n\u003cbr\u003e\u003cbr\u003e\nEndlich ist auch die Violinsonate A-dur, op.100, die sogenannte «Thuner Sonate» von Johannes Brahms im Repertoire von Claves. Sie entstand im Sommer 1886 beim ersten Aufenthalt des Komponisten am Thunersee. Die in diesem ertragreichen Sommer entstandenen Werke zeichnen sich alle durch eine «herrliche Frische der Phantasie» aus, wie der Dichter Joseph Viktor Widmann sie beurteilte. Im Hause Widmann in Bern wurden die in Thun entstandenen Werke auch erstmals gespielt, Brahms selber spielte den Klavierpart. Bei der ersten offiziellen Aufführung am 2. Dezember 1886 spielten Brahms und Joseph Hellmesberger im kleinen Saal des Wiener Konzertvereins.\n\u003cbr\u003e\u003cbr\u003e\nDie Sonate in Es-dur von Richard Strauss ist – wie fast alle seine kammermusikalischen Werke – ein Jugendwerk, aber schon stark gezeichnet von der schwungvollen Gestik seiner folgenden gros-sen sinfonischen Tondichtungen. Die zwei selten gespielten Miniaturen, die Daphne Etüde und das Allegretto, sind zwei kleine, charmante Ergänzungen aus den späten Jahren des Komponisten. Auch Arnold Schönbergs «Fantasie», die sich durch grossen inneren Frieden und kompositorische Klarheit auszeichnet, ist ein Alterswerk dieses wegweisenden Komponisten und entstand im März 1949.\n\u003cbr\u003e\u003cbr\u003e\nDie zwei Interpretinnen Brigitte und Yvonne Lang haben in ihrer noch jungen Karrierre einzeln oder als Duo schon viele nationale und internationale Auszeichnungen erhalten. Die Schwestern bilden seit ihrer Kindheit ein Duo, und gemeinsam sind sie schon in der Wigmore Hall in London, in Paris, in Schottland und in Kanada aufgetreten. Bereits 1992 erhielt das Duo den Zweiten Preis am internationalen Kammermusikwettbewerb «Premio Trio di Trieste» in Italien zuerkannt. Beide Musikerinnen sind Preisträgerinnen der renommierten Kiefer Hablitzel Stiftung und erhielten nebst Preisgeld eine Einladung, im Rahmen des Menuhin Festivals Gstaad 1999 zu konzertieren. \n\u003cbr\u003e\u003cbr\u003e\nAls erste der bisherigen Gewinnerinnen und Gewinner können sie auf einer neu von der Stiftung ins Leben gerufenen CD-Serie ihr Talent unter Beweis stellen. 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Il est consacré à Andrés Isasi, originaire de Bilbao.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eC'est un compositeur doté d'un immense talent qui a écrit dans tous les genres classiques, de la symphonie aux compositions polyphoniques à des pièces plus intimes pour la guitare. Il était aussi poète et écrivait les textes de ses chansons. Les œuvres figurant sur ce disque ont été composées lors de son dernier séjour en Allemagne avant la première guerre mondiale et portent la marque de son mentor Engelbert Humperdinck.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa littérature allemande moderne ainsi que sa spiritualité personnelle profonde lui servaient également de source d'inspiration. Son amour de la nature, qu'il partageait avec Jesús Guridi, était tel qu'il travaillait à une étude tout à fait spéciale qui portait le titre «Ornotifonia» ou «chansons d'oiseaux». Pour ce faire, il notait les différentes variations de leur chants pour ensuite les intégrer dans ses compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA ce jour, aucun enregistrement n'a été fait des œuvres symphoniques de Andrés Isasi, il s'agit ici d'une première mondiale.L'Orquesta Sinfonica de Euskadi est dirigée par Maître Enrique Garcia Asendio et Jonathan Carney a été choisi comme soliste de la «Berceuse Tragica» pour violon et orchestre. Cet enregistrement a été réalisé – comme d'ailleurs les trois premiers de cette collection – dans la salle de concert de l'orchestre à San Sebastian. 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La Belle Epoque correspondait à un esprit conservateur et son cœur musical était le Conservatoire de Paris.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaul Taffanel (1844–1908), le grand professeur de flûte du Conservatoire, était le fondateur de l’Ecole de flûte française dont l’influence se fait encore sentir aujourd’hui. La musique de ce disque est empreinte de l’esprit de cette époque, des chef-d’œuvres mélodiques de Gabriel Fauré intitulés «Morceaux de concours» à la «Fantaisie» de Georges Hüe avec ses accents espagnols et arabes. Bien dans la tradition des récitals de virtuoses, Marina Piccinini a enrichi la Fantaisie de Borne sur des thèmes de Carmen de Bizet en y ajoutant ses propres variations et ornements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa flûtiste Marina Piccinini s’est gagné une réputation internationale grâce à sa grande virtuosité, sa présence captivante et son immense palette de couleurs sonores. Depuis ses débuts, où elle a été acclamée par la critique, au Town Hall de New York et au London South Bank Center, Marina Piccinini a eu un programme de tournées qui l’ont emmenée dans les salles les plus prestigieuses des Etats-Unis, du Canada, d’Europe et du Japon. Marina Piccinini a été la première et la seule flûtiste à remporter le prestigieux prix du Avery Fisher Career Grant, et en 1989 elle a été nommée «Jeune artiste de l’année» par Musical America. Elle est accompagnée par Anne Epperson, qui est à la tête du Département «piano d’accompagnement» de l’Institut de musique de Cleveland.","brand":"Claves Records","offers":[{"title":"CD 2009 \/ 1 \/ Marina Piccinini","offer_id":40119961616419,"sku":"2009","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410506069 \/ upc \/ Marina Piccinini","offer_id":13668960600099,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/flute-recital-paris-belle\/id261677767?l=fr \/ iTunes \/ Marina Piccinini","offer_id":32339007340579,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2000 \/ release \/ Marina Piccinini","offer_id":45895717454,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/7qS5H6afV2Pd80uVu47H0K \/ Spotify \/ Marina Piccinini","offer_id":15872865539,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ Youtube Music \/ Marina Piccinini","offer_id":39495907278883,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/flute-recital-belle-epoque\/0829410506069 \/ Qobuz \/ Marina Piccinini","offer_id":15872865667,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/174323 \/ Deezer \/ Marina Piccinini","offer_id":15872865731,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/20GK7wR \/ AmazonMp3 \/ Marina Piccinini","offer_id":15872865795,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2009 \/ Naxos \/ Marina Piccinini","offer_id":31662381326,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/marina-piccinini-anne-epperson\/flute-recital-belle-epoque\/11078991\/ \/ eMusic \/ Marina Piccinini","offer_id":15872865859,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Marina Piccinini","offer_id":15872866051,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=utxxVrSZ2tc\u0026list=PLy5IRCYvmbSwBLHB_yhFqgVd-XWl-CgCa \/ Video \/ Marina Piccinini","offer_id":256444137486,"sku":"2009","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2009.jpg?v=1414687994"},{"product_id":"vivaldi-concertos","title":"(2000) Vivaldi: Concertos","description":"Maurice Steger was born in 1971 and completed his studies at the Zurich Conservatory and the Zurich Musikhochschule, studying with, among others, Pedro Memelsdorff (I) and Kees Boeke (NL). After additional studies in Europe he received his soloist’s diploma “with highest honors” in 1995; numerous prizes at competitions and cultural awards followed.\n\u003cbr\u003e\u003cbr\u003e\nNow internationally active as a soloist, Maurice Steger has worked with eminent conductors and ensembles. He has performed to great success throughout Europe, is a regular guest at international festivals and appears in programs for European radio and television.\n\u003cbr\u003e\u003cbr\u003e\nMaurice Steger performs as a soloist with various Baroque ensembles. In addition to I Barocchisti and Diego Fasolis, he performs with the Baroque orchestra Europa Galante under the direction of Fabio Biondi, the Ensemble 415 and Chiara Banchini, violinist Andrew Manze, the Sonatori de la Gioiosa Marca and the Akademie für Alte Musik Berlin. Maurice Steger is also a frequent soloist in orchestra concerts (including with the Zürcher Kammerorchester under the direction of Howard Griffiths, the Capella Istropolitana, and the London Mozart Players).\n\u003cbr\u003e\u003cbr\u003e\nHis recitals are characterized by innovative programs which touch upon the whole recorder repertoire from ancient music to world premieres of contemporary compositions. He has earned particular recognition for his interpretations of Italian instrumental works from the 17th and 18th centuries.\n\u003cbr\u003e\u003cbr\u003e\nMaurice Steger’s three previous recordings for Claves records (with the Continuo Consort and harpsichordist Naoki Kitaya) featuring Italian and English Baroque music have received a number of awards and highest praise from critics and audiences.","brand":"Claves Records","offers":[{"title":"CD 2010 \/ 1 \/ Maurice Steger","offer_id":40119961649187,"sku":"2010","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410505369 \/ upc \/ Maurice Steger","offer_id":13668960632867,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Antonio Vivaldi \/ composers \/ Maurice Steger","offer_id":39745891303459,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/vivaldi-concertos\/id253955366 \/ iTunes \/ Maurice Steger","offer_id":32339007373347,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2000 \/ release \/ Maurice Steger","offer_id":45895717518,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/4Zmm0tZ1JFb4edg7YDTpZd \/ Spotify \/ Maurice Steger","offer_id":15872866307,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_kEvDXDDcjxoVE1ocWkktPCyEnBry8bxAk \/ Youtube Music \/ Maurice Steger","offer_id":39495907311651,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/antonio-vivaldi-concertos-pour-flute-a-bec\/0829410505369 \/ Qobuz \/ Maurice Steger","offer_id":15872866435,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/136145 \/ Deezer \/ Maurice Steger","offer_id":15872866499,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.com\/B001NTUY26 \/ AmazonMp3 \/ Maurice Steger","offer_id":15872866563,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2010 \/ Naxos \/ Maurice Steger","offer_id":31662381390,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/maurice-steger-i-barrochisti-diego-fasolis\/maurice-steger-vivaldi-concerti\/11034333\/ \/ eMusic \/ Maurice Steger","offer_id":15872866627,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Maurice Steger","offer_id":15872866691,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=twEOc5vYlXE?list=PLy5IRCYvmbSxRLq3-KcoPUOVWAqS2qTSN \/ Video \/ Maurice Steger","offer_id":46068053006,"sku":"2010","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2010.jpg?v=1414750742"},{"product_id":"bach-the-toccatas-bwv-910-916","title":"(2001) Bach: The Toccatas, BWV 910-916","description":"La toccata baroque est une composition pour instrument à clavier comportant des éléments de l'intonazione, du prélude, du ricercare et de la fantaisie dans une pièce en plusieurs parties à caractère improvisé. J.S. Bach (1685–1750) a écrit au moins sept oeuvres indépendantes pour un clavier manualiter, appelées toccatas, sans parler des compositions qui contiennent des toccatas, des ouvertures par exemple ou qui portent des noms différents, par exemple prélude. Les toccatas BWV 910–916 ont été écrites entre 1705 et 1714. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Ursula Dütschler a interprété ces sept œuvres en mai 2000 au Wigmore Hall de Londres. Voici quelques extraits d'un compte rendu de Geoffrey Crankshaw paru dans «Musical Opinion»: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e «Le récital de clavecin d'Ursula Dütschler au Wigmore Hall a été sans conteste une révélation. Elle a interprété la série entière des toccatas pour instruments à clavier, et c'était grandiose. Ces œuvres sont non seulement parmi les meilleures de tout le répertoire pour clavecin, mais figurent également parmi les compositions pour instruments à clavier les plus géniales de Bach. Chacune est une entité indépendante et très différente. Le compositeur transforme les préludes d'introduction en profondes méditations personnelles et les fugues finales sont des tours d'adresse intellectuelle ébouissants. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e «Ursula Dütschler est une musicienne exceptionnelle et possède une technique excellente qu'elle met cependant toujours au service de la musique. Cela s'exprime particulièrement dans sa maîtrise des rythmes subtiles de la musique, dans son expressivité limpide et son phrasé. Pour chaque toccata une interprétation personnelle, et à chaque fois j'étais surpris par la légèreté du langage musical. Il faut que cette artiste revienne aussi vite que possible à Londres.» \u003cbr\u003e\u003cbr\u003e","brand":"Claves Records","offers":[{"title":"CD 2011 \/ 1 \/ Ursula Dütschler","offer_id":40119961681955,"sku":"2011","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"https:\/\/music.apple.com\/us\/album\/j.s.-bach-toccatas-bwv-910\/id261679045?l=fr \/ iTunes \/ Ursula Dütschler","offer_id":32339007406115,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"829410505468 \/ upc \/ Ursula Dütschler","offer_id":45765699086,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Ursula Dütschler","offer_id":45895717582,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/3tRo2KBFSU9HIk83UuBu5S \/ Spotify \/ Ursula Dütschler","offer_id":15872866883,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_meXEDTmx6jPcvL6p88Cr0YY8vP_AWdDaQ \/ Youtube Music \/ Ursula Dütschler","offer_id":39495907344419,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/johann-sebastian-bach-toccatas-bwv-910-916\/0829410505468 \/ Qobuz \/ Ursula Dütschler","offer_id":15872867011,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/136254 \/ Deezer \/ Ursula Dütschler","offer_id":15872867075,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/J-S-Bach-The-Toccatas-910-916\/dp\/B0023PWO2M\/ref=sr_shvl_album_4?ie=UTF8\u0026qid=1366204017\u0026sr=301-4 \/ AmazonMp3 \/ Ursula Dütschler","offer_id":15872867139,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2011 \/ Naxos \/ Ursula Dütschler","offer_id":31662381582,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/ursula-dutschler\/j-s-bach-the-toccatas-bwv-910-916\/11078957\/ \/ eMusic \/ Ursula Dütschler","offer_id":15872867203,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Ursula Dütschler","offer_id":15872867267,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=c6l5f2kZC1c\u0026list=OLAK5uy_meXEDTmx6jPcvL6p88Cr0YY8vP_AWdDaQ \/ Video \/ Ursula Dütschler","offer_id":39497275572259,"sku":"2011","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2011.jpg?v=1414592432"},{"product_id":"bach-marcello-vivaldi-handel-works-for-oboe-organ","title":"(2000) Bach, Marcello, Vivaldi, Händel: Works for Oboe \u0026 Organ","description":"This recording grew from our friendship of nearly twenty years. We chose the wonderful Ahrend organ for its particularly sonorous foundation stops; we hope that organ lovers will forgive us for employing this beautiful instrument ”merely” as a chamber organ. We enjoyed playing in the spacious acoustics of the Jesuit Church in Porrentruy, they made it possible to do the recording practically without any cuts. We hope that listeners will share our pleasure in these compositions; their diverse and fascinating histories are engagingly accounted for by musicologist Guiseppe Clericetti.\n\u003cbr\u003e\u003cbr\u003e\nOmar Zoboli and Diego Fasolis","brand":"Claves Records","offers":[{"title":"CD 2012 \/ 1 \/ Omar Zoboli","offer_id":40119961714723,"sku":"2012","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/bach-marcello-vivaldi-handel\/id253841947 \/ iTunes \/ Omar Zoboli","offer_id":32339007438883,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"829410505567 \/ upc \/ Omar Zoboli","offer_id":45765699214,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2000 \/ release \/ Omar Zoboli","offer_id":45895717646,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/2YaX1i6ZYEdTHKyBXbPBTK \/ Spotify \/ Omar Zoboli","offer_id":15872867523,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_nbfS6Ovp94NXNuGgfXQlqsPo_Bn0wGgAg \/ Youtube Music \/ Omar Zoboli","offer_id":39495907377187,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/bit.ly\/1JYiVWj \/ Qobuz \/ Omar Zoboli","offer_id":15872867651,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/141318 \/ Deezer \/ Omar Zoboli","offer_id":15872867715,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/1SGOQvD \/ AmazonMp3 \/ Omar Zoboli","offer_id":15872867779,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2012 \/ Naxos \/ Omar Zoboli","offer_id":31662381774,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/omar-zoboli-diego-fasolis\/mosaico-barocco-bach-marcello-vivaldi-handel\/11034331\/ \/ eMusic \/ Omar Zoboli","offer_id":15872867843,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Omar Zoboli","offer_id":15872867907,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=OTW1Od1Dxl8\u0026list=OLAK5uy_nbfS6Ovp94NXNuGgfXQlqsPo_Bn0wGgAg \/ Video \/ Omar Zoboli","offer_id":39497275605027,"sku":"2012","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2012.jpg?v=1414592225"},{"product_id":"miniatures-for-flute-guitar","title":"(2000) Miniatures For Flute \u0026 Guitar","description":"Flutist Peter-Lukas Graf and guitarist Konrad Ragossnig have appeared together in concert and have been bound in personal friendship for many, many years. This recording presents a selection of favorite miniatures and encore pieces from their vast duo repertoire – a wonderful idea ! It is a diverse selection of charming, serious and lighter works extending from the Baroque period (Johann Sebastian Bach and Carl Philipp Emanuel Bach) to the Rococo (Niccolò Paganini and François Joseph Gossec), the Classic (Wolfgang Amadeus Mozart) and the Romantic (Frédéric Chopin and Piotr Ilitch Tchaikovsky). It is likewise delightful to see brave excursions into 20th century music, including Rags by Scott Joplin, pieces by Heitor Villa-Lobos, Jacques Ibert and Maurice Ravel, as well as dances from Aram Khatchaturian’s ballet “Gayaneh”.\n\u003cbr\u003e\u003cbr\u003e\nGraf and Ragossnig lend these miniatures (of one and a half to seven minutes in length) their personal signature with their famed technical mastery and interpretative skills. As is often the case in live concerts, once the official program has been completed and the audience has been won over, musicians are able to enjoy a certain liberty and spontaneous creative energy during the following encores that is not present in the “official” part of the concert. Peter-Lukas Graf and Konrad Ragossnig have placed these exquisite miniatures in the spot-light for once, and the result is 60-minute program of great variety and listening pleasure.","brand":"Claves Records","offers":[{"title":"CD 2013 \/ 1 \/ Peter-Lukas Graf","offer_id":40119961747491,"sku":"2013","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/miniatures-for-flute-guitar\/id261679662?l=fr \/ iTunes \/ Peter-Lukas Graf","offer_id":32339007471651,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"829410505666 \/ upc \/ Peter-Lukas Graf","offer_id":45765699854,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2000 \/ release \/ Peter-Lukas Graf","offer_id":45895717710,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/2RcJyHHn10fXskMz5cLhMj \/ Spotify \/ Peter-Lukas Graf","offer_id":15872868163,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_my_YcCkdVKm3pg3jRqOKwmunUewE7RJrU \/ Youtube Music \/ Peter-Lukas Graf","offer_id":39495907442723,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/peter-lukas-graf-flute-miniatures-pour-flute-et-guitare\/0829410505666 \/ Qobuz \/ Peter-Lukas Graf","offer_id":15872868291,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/174311 \/ Deezer \/ Peter-Lukas Graf","offer_id":15872868355,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/Miniatures-For-Flute-Guitar\/dp\/B0023PZXMK\/ref=sr_shvl_album_1?ie=UTF8\u0026qid=1366204147\u0026sr=301-1 \/ AmazonMp3 \/ Peter-Lukas Graf","offer_id":15872868419,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2013 \/ Naxos \/ Peter-Lukas Graf","offer_id":31662382222,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/peter-lukas-graf-konrad-ragossnig\/miniatures-for-flute-guitar\/11078956\/ \/ eMusic \/ Peter-Lukas Graf","offer_id":15872868483,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Peter-Lukas Graf","offer_id":15872868611,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=Lg-NAUzfK7A?list=PLy5IRCYvmbSz6MOnj35CYhN3VlXR0kDey \/ Video \/ Peter-Lukas Graf","offer_id":46068056078,"sku":"2013","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2013.jpg?v=1414596757"},{"product_id":"ravel-piano-concertos-alborada-del-gracioso","title":"(2001) Ravel: Piano Concertos \u0026 Alborada del Gracioso","description":"Toute une série de facteurs se sont ligués pour faire de cet enregistrement une expérience inoubliable pour tous ceux qui y ont participé. Ce projet est né en mai 2000 lors d’une tournée à travers l’Amérique du sud. L’orchestre sous la direction de Gilbert Varga, avec le pianiste Joaquín Achucarro, avait joué des œuvres de Ravel qui avaient remporté un vif succès auprès des publics chilien et argentin. Et c’est ainsi qu’est venue l’idée de graver sur disque les trois œuvres de ce compositeur universel dont les racines basques sont incontestables.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavel a vu le jour en 1875 à Ciboure. Son père était d’ascendance suisse, ce qui explique pourquoi Stravinsky appelait le compositeur «l’horloger suisse», à chaque fois qu’il parlait du style de composition très complexe et de l’attention que portait Ravel au plus infime détail. Sa mère était basque. Elle était née, sur le littoral franco-basque à St-Jean-de-Luz, ville dans laquelle Ravel a souvent passé ses vacances d’été. Il a fait de nombreuses excursions dans tout le Pays Basque dont il a appris la langue qu’il a continué à pratiquer toute sa vie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLe Concerto en sol majeur est probablement l’œuvre à laquelle Ravel a travaillé le plus longtemps. En 1911, l’écriture de ce concerto, qui portait un titre basque, était déjà bien avancée, puis il a laissé tomber ce projet, pour en reprendre l’idée à la suite d’une tournée en Amérique du sud. Il l’a terminé en 1931 et le concerto a été créé le 14 mai 1932 à la Salle Pleyel à Paris devant un public enthousiaste. Selon les dires de Ravel, ce sont Mozart et Saint-Saëns qui lui avaient servi de modèles. Ce concerto en trois mouvements démontre une grande virtuosité académique, il conjugue trois éléments: le cirque, la musique espagnole et bien sûr le jazz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLe Concerto pour la main gauche, était une commande du pianiste autrichien Paul Wittgenstein, qui avait perdu son bras droit à la guerre. 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Il acheva cette ouverture - un poème symphonique expressif et romantique – à Rome environ une année après. Le concerto pour violon en mi mineur op. 64, gai, chaleureux et romantique, est l'un des plus beaux et des plus populaires de tous les temps et fait partie du répertoire de chaque virtuose du violon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMendelssohn a commencé a y travailler en 1838 et en a achevé la composition en automne 1844. La symphonie en la majeur – «l'Italienne» – op. 90, reflète les impressions et les sentiments du compositeur pendant son voyage en Italie en 1830\/31. Conquis par la joie de vivre et la gaieté des italiens, le jeune Mendelssohn est fasciné. Cette symphonie saisit l'atmosphère de ce pays à travers un motif élégant, mélodieux et extrêmement romantique.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLe violoniste allemand Daniel Röhn a 21 ans, c'est le plus jeune des solistes chez Claves! 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Il a ainsi donné naissance à de nombreux projets intéressants, comme par exemple l'enregistrement en 1997 de l'intégrale des sonates de Beethoven réalisé chez Claves Records, au total 10 CDs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa particularité de ce projet était de faire participer à cet enregistrement six autres interprètes; cinq musiciens et une musicienne. Quatre de ces sonates au programme de ce CD offrent la possibilité de présenter aux amateurs de Beethoven le spiritus rector de cette grande entreprise et par là de s'initier à une façon toute particulière de l'interprétation sur des instruments d'époque.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMalcolm Bilson dit: «Sur tous les pianos que Beethoven a pu connaître, le son s'évanouit beaucoup plus rapidement que sur un instrument moderne, il s'en suit que certains signes d'interprétation très importants, par exemple le sforzando, revêtent un sens nouveau. En fait, le piano moderne, sa sonorité plus riche et le développement du son plus lent, est incapable de produire un vrai sforzando comme Beethoven l'avait connu – il ne donne que des sons simplement plus forts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDe nouvelles conceptions de sforzandos, alliant ligatures, pondération des basses et des aigus et, naturellement, usage de la pédale (très différent entre les pianos de longueurs diverses) peuvent mener à des locutions musicales nouvelles et révélatrices.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCet opus de Claves Records n'a obtenu que des éloges.","brand":"Claves Records","offers":[{"title":"CD 2104 \/ 1 \/ Malcolm Bilson","offer_id":40119961911331,"sku":"2104","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"829410506960 \/ upc \/ Malcolm Bilson","offer_id":13668960796707,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/beethoven-piano-sonatas-on\/id253083024?l=fr \/ iTunes \/ Malcolm Bilson","offer_id":32339007569955,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Malcolm Bilson","offer_id":45895718030,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/5SGsOoZvJScBmMfZKIlhjD \/ Spotify \/ Malcolm Bilson","offer_id":16194190467,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_koUWlM8fg_BzDlm4xxhONPAGTDuFT3558 \/ Youtube Music \/ Malcolm Bilson","offer_id":39496032550947,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/beethoven-four-piano-sonatas-on-period-instruments\/0829410506960 \/ Qobuz \/ Malcolm Bilson","offer_id":16194190595,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/197486 \/ Deezer \/ Malcolm Bilson","offer_id":16194190659,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/1We9MK4 \/ AmazonMp3 \/ Malcolm Bilson","offer_id":16194190723,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2104 \/ Naxos \/ Malcolm Bilson","offer_id":31662382670,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/malcolm-bilson\/beethoven-four-piano-sonatas-on-period-instruments\/11035363\/ \/ eMusic \/ Malcolm Bilson","offer_id":16194190787,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Malcolm Bilson","offer_id":16194190851,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=YwRZ-yFhvcI\u0026list=OLAK5uy_koUWlM8fg_BzDlm4xxhONPAGTDuFT3558 \/ Video \/ Malcolm Bilson","offer_id":39497275670563,"sku":"2104","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2104.jpg?v=1453889960"},{"product_id":"flute-recital-eastern-europe-20th-century-music","title":"(2001) Flute Recital: Eastern Europe 20th Century Music","description":"Après le succès de son premier CD paru chez Claves, le récital de flûte «Belle Epoque», la virtuose Marina Piccinini présente un enregistrement d’œuvres brillantes pour flûte et piano du 20e siècle, inspirées par l’Europe de l’Est.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSi, pour les compositeurs de l’école française, la flûte évoquait la Grèce antique ou les salons brillants, en Europe de l’Est elle a toujours été un instrument populaire, et c’est cet aspect qui prédomine dans le présent enregistrement. Certes, les œuvres de Taktakichvili et de Martinu intitulées «Sonate» se réclament d’une forme classique, sous l’habit traditionnel des thèmes contrastés bat le cœur d’une culture enracinée dans des terroirs situés bien loin à l’est de Vienne.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eL’arrangement par Paul Arma des Quinze chansons paysannes de Béla Bartók rend fidèlement l’esprit du recueil de son maître, avec ses œuvres tantôt prestes et malicieuses, tantôt nostalgiques. L’Aria pour flûte et piano d’Erno von Dohnányi, en forme de nocturne amoureux, évoque la langueur sensuelle d’un Borodine ou d’un Rachmaninov. Enfin, la Sonate pour flûte et piano d’Erwin Schulhoff, composée en 1927, combine l’élégance du «Groupe des Six» parisien avec un amour authentique des mélodies et des rythmes tchèques.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn s’accorde pour reconnaître en Marina Piccinini l’une des meilleures jeunes flûtistes du moment. Elle joint à une technique impeccable un sens très sûr de l’interprétation et une forte présence scénique qui font de chacun de ses concerts un événement mémorable. Comme l’écrit Bernard Holland, principal critique musical du New York Times, Mme Piccinini est «une interprète de premier plan, [...] une musicienne qui écoute et comprend avec une très grande intelligence».","brand":"Claves Records","offers":[{"title":"CD 2105 \/ 1 \/ Marina Piccinini","offer_id":40119961944099,"sku":"2105","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410506861 \/ upc \/ Marina Piccinini","offer_id":13668960829475,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/flute-recital-eastern-europe\/id570113847?l=fr \/ iTunes \/ Marina Piccinini","offer_id":32339007602723,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Marina Piccinini","offer_id":45895718094,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/6cXbuS24ZYj4vgIhDBpmW5 \/ Spotify \/ Marina Piccinini","offer_id":16194191235,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_k_xaYnkKc_xfX_CS9bu3bzJnaARZTgPIg \/ Youtube Music \/ Marina Piccinini","offer_id":39496032583715,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/marina-piccinini-flute-recital-eastern-europe-20th-century-music\/0829410506861 \/ Qobuz \/ Marina Piccinini","offer_id":16194191363,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/6011578 \/ Deezer \/ Marina Piccinini","offer_id":16194191427,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/1XilqVA \/ AmazonMp3 \/ Marina Piccinini","offer_id":16194191491,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2105 \/ Naxos \/ Marina Piccinini","offer_id":31662384142,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/marina-piccinini-eva-kupiec\/flute-recital\/13650857\/ \/ eMusic \/ Marina Piccinini","offer_id":16194191555,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Marina Piccinini","offer_id":16194191619,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=tM3h5bhqHqA?list=UUJ0OoTwBhf4nmPg3iX7WSIQ \/ Video \/ Marina Piccinini","offer_id":46068058958,"sku":"2105","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2105.jpg?v=1414687957"},{"product_id":"piazzolla-schnyder-ives-piano-trios","title":"(2001) Piazzolla, Schnyder \u0026 Ives: PIano Trios","description":"Le programme de cet enregistrement représente un tour d’horizon intéressant du XXe siècle. Ce que les trois compositeurs ont en commun, l’argentin Astor Piazzolla, le nord-américain Charles Ives et le jeune suisse Daniel Schnyder, c’est cette capacité, bien qu’ils aient des personnalités différentes et en fait incomparables, de puiser dans un immense «réservoir» stylistique et qu’ils ne craignent en aucun cas de toucher à d’autres domaines (p.ex. musique de variétés, jazz ou folklore).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTous trois connaissent leur métier, le contrepoint et les styles, tous trois se sont plongés dans la tradition classique pour s’en écarter volontairement. Tous trois ont d’ailleurs vécu à New York et ont puisé leur inspiration dans la diversité culturelle et les libertés qui régnaient dans cette ville.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchnyder a écrit son «Piano Trio 1999\/2000» spécialement pour le «Zürcher Klaviertrio». Les interprètes caressaient depuis longtemps l’idée de faire une incursion dans le domaine du jazz, et ont demandé à Schnyder de leur composer quelque chose. Le résultat en est ce trio aux nombreuses facettes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDaniel Adorjan, Joël Marosi et Christiane Frucht se sont rencontrés en 1993 lors des «First International Jerusalem Music Encounters» et depuis lors ils se produisent ensemble en tant que «Zürcher Klaviertrio». En 1994 déjà, l’ensemble a remporté le 1er prix du Concours International «Charles Hennen» en Hollande.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEn 1996, ils ont reçu le 1er prix du «Concours Mendelssohn» à Berlin et un 3ème prix au Concours International de Musique de Chambre d’Osaka\/Japon. Cette année le trio a remporté le 1er prix du «Grosser Förderpreis der Kunstgesellschaft München» un concours international pour trio avec piano. Les jeunes musiciens se produisent déjà en Hollande, en Belgique, en Allemagne et aux Etats-Unis, entre autres au Carnegie Hall, où en 1997, invités par Isaac Stern ont donné, à guichets fermés, le brillant concert final à l’occasion du «Isaac Stern Chamber Music Workshop».\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Claves Records","offers":[{"title":"CD 2106 \/ 1 \/ Zürcher Klaviertrio","offer_id":40119961976867,"sku":"2106","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410506762 \/ upc \/ Zürcher Klaviertrio","offer_id":13668960862243,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/piazzolla-schnyder-ives-piano\/id261677050?l=fr \/ iTunes \/ Zürcher Klaviertrio","offer_id":32339007635491,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Zürcher Klaviertrio","offer_id":45895718158,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/5kOp7dwEfwDDp73yviaKjx \/ Spotify \/ Zürcher Klaviertrio","offer_id":16194191939,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_nuBDfku7MKn-HbS-RzitbHZQ2xa5iu26Y \/ Youtube Music \/ Zürcher Klaviertrio","offer_id":39496032616483,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/piazzolla-schnyder-ives\/0829410506762 \/ Qobuz \/ Zürcher Klaviertrio","offer_id":16194192067,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/167470 \/ Deezer \/ Zürcher Klaviertrio","offer_id":16194192131,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/Piazzolla-Schnyder-Ives-Piano-Trios\/dp\/B0023P2J3Q\/ref=sr_1_1_digr?s=music\u0026ie=UTF8\u0026qid=1366206143\u0026sr=1-1 \/ AmazonMp3 \/ Zürcher Klaviertrio","offer_id":16194192195,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2106 \/ Naxos \/ Zürcher Klaviertrio","offer_id":31662385422,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/zurcher-klaviertrio\/piazzolla-schnyder-ives\/11078981\/ \/ eMusic \/ Zürcher Klaviertrio","offer_id":16194192259,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Zürcher Klaviertrio","offer_id":16194192323,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=A0M0-Zm6RgI\u0026list=OLAK5uy_nuBDfku7MKn-HbS-RzitbHZQ2xa5iu26Y \/ Video \/ Zürcher Klaviertrio","offer_id":39497275703331,"sku":"2106","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2106.jpg?v=1414744884"},{"product_id":"reinecke-music-for-string-orchestra","title":"(2001) Reinecke: Music for String Orchestra","description":"Carl Reinecke, brillant virtuose du piano, a donné son premier récital à l’âge de 12 ans. En 1843, à 19 ans, il a effectué sa première tournée de concerts au Danemark et en Suède, et en 1846 il est engagé comme pianiste de la cour à Copenhague. En 1860, Reinecke accepte un poste au Conservatoire de Leipzig pour y enseigner le piano et la composition; il deviendra directeur en 1897. Reinecke est également nommé chef d’orchestre titulaire au Gewandhaus de Leipzig, poste qu’il occupera jusqu’en 1895.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReinecke était prolifique dans tous les genres. Il était le dernier grand représentant de ce que l’on a appelé l’«Ecole de Leipzig». Alors qu’elle intègre les tendances romantiques dans sa musique, elle refuse toutefois les manifestations les plus audacieuses et les plus radicales de ce mouvement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes œuvres de ce CD offrent un tableau remarquablement concis du style de Reinecke. Vers la fin de sa vie, il a réuni douze compositions plus anciennes dans une collection de Tonbilder (images sonores), qui sont d’un genre bien établi. La Kinder-Symphonie (symphonie des enfants) ne tient pas son charme seulement aux différentes crécelles ou aux sifflets imitant rossignols et coucous. Le compositeur présente dans le second mouvement un «concert-puzzle», en quelque sorte un quiz musical. La dernière Sérénade en six mouvements op. 242 témoigne non seulement de l’évolution du compositeur, mais aussi de sa remarquable constance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eL’Orchestre de Chambre Kremlin, fondé en 1991 par Misha Rachlevsky, s’est acquis une renommée incontestée comme l’un des premiers orchestres de cordes dans la monde. Plusieurs parmi les quinze enregistrements réalisés par l’Orchestre de Chambre Kremlin pour Claves Records ont reçu des récompenses internationales.","brand":"Claves Records","offers":[{"title":"CD 2107 \/ 1 \/ Misha Rachlevsky","offer_id":40119962009635,"sku":"2107","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410506564 \/ upc \/ Misha Rachlevsky","offer_id":13668960895011,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/reinecke-music-for-string\/id261682324?l=fr \/ iTunes \/ Misha Rachlevsky","offer_id":32339007668259,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Chamber Orchestra Kremlin \/ orchestra \/ Misha Rachlevsky","offer_id":643793977358,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Misha Rachlevsky","offer_id":45895718222,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/3NkdF1qSvDxDxKfCHZhmD9 \/ Spotify \/ Misha Rachlevsky","offer_id":16194192707,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_lelt2-0sYufiGgQ3TRYIcaQkNyxCOAHJI \/ Youtube Music \/ Misha Rachlevsky","offer_id":39496032649251,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/carl-reinecke-music-for-strings\/0829410506564 \/ Qobuz \/ Misha Rachlevsky","offer_id":16194192835,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/167465 \/ Deezer \/ Misha Rachlevsky","offer_id":16194192899,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/Carl-Reinecke-Music-For-Strings\/dp\/B0023PTS30\/ref=sr_shvl_album_1?ie=UTF8\u0026qid=1366205814\u0026sr=301-1 \/ AmazonMp3 \/ Misha Rachlevsky","offer_id":16194193027,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2107 \/ Naxos \/ Misha Rachlevsky","offer_id":31662385486,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/chamber-orchestra-kremlin-misha-rachlevsky\/carl-reinecke-music-for-strings\/11079384\/ \/ eMusic \/ Misha Rachlevsky","offer_id":16194193091,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Misha Rachlevsky","offer_id":16194193155,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=TKPCZO39jrU?list=PLy5IRCYvmbSxhr8kxwXINHOxnwitE0ojB \/ Video \/ Misha Rachlevsky","offer_id":46068059022,"sku":"2107","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2107.jpg?v=1414745690"},{"product_id":"romantic-flute-concertos","title":"(2001) Romantic Flute Concertos","description":"Le 19e siècle n’a pas été très productif du point de vue de la musique pour flûte, et très peu de concertos pour flûte ont été écrits pendant cette période. Les seuls compositeurs d’une certaine envergure à avoir écrit des œuvres pour la flûte traversière, sans être eux-mêmes flûtistes, sont Carl Gottlieb Reissiger et Carl Reinecke. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Carl Gottlieb Reissiger est né en 1798 à Belzig et est venu en 1811 à Leipzig pour entrer à la Thomasschule. Il a ensuite poursuivi ses études à Vienne chez Salieri et à Munich chez von Winter. C’est à Munich qu’il a composé son seul opéra italien «Didone abbandonata», dont la première fut donnée par Carl Maria von Weber en 1824 à Dresde. Après la mort de Weber, Reissiger est devenu directeur de la musique à l’opéra de la cour et il a été nommé à vie maître de chapelle royal. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e De plus, il a composé un grand nombre de pièces liturgiques, des lieder, une symphonie, de la musique de chambre et des pièces pour piano. Reissiger est resté jusqu’à sa mort une personnalité très respectée à Dresde. Le Concertino pour flûte et orchestre op. 60 a été écrit en 1829. L’instrumentation est d’une richesse inhabituelle, si l’on songe qu’il était destiné «aux petits concerts»; outre les cordes de rigueur, il y a également deux bois, des cors et des trompettes, des cymbales et un trombone. Le titre «Concertino» indique que Reissiger ne s’en tient pas à la forme classique du concerto, qui requière un équilibre des formes à l’intérieur des trois mouvements. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e La Ballade op. 288 de Carl Reinecke a été sa dernière œuvre, composée en 1910, deux ans après son Concerto pour flûte op. 283. Le style de composition de Reinecke s’inspirait de celui de Mendelssohn et de Schumann, qu’il connaissait personnellement très bien. Dans l’harmonie de son concerto pour flûte l’on perçoit dans certains passages l’influence de Brahms, et Reinecke reste fidèle à l’esprit de ce compositeur dans sa conception de la symphonie. La Ballade est une pièce de concert en un seul mouvement. Un Scherzo, évoquant la musique du «Songe d’une nuit d’été» de Mendelssohn, est enchâssé par deux parties en adagio d’expression romantique et poétique. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Peter-Lukas Graf est accompagné dans cet enregistrement d’archive du SWR, datant de 1983\/84, par l’Orchestre Radio Symphonique de Stuttgart sous la direction de Bernhard Güller et Pinchas Steinberg.","brand":"Claves Records","offers":[{"title":"CD 2108 \/ 1 \/ Peter-Lukas Graf","offer_id":40119962042403,"sku":"2108","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410506663 \/ upc \/ Peter-Lukas Graf","offer_id":13668960927779,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/romantic-flute-concertos\/id261677945?l=fr \/ iTunes \/ Peter-Lukas Graf","offer_id":32339007701027,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Peter-Lukas Graf","offer_id":45895718286,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Carl Reinecke \/ Composers \/ Peter-Lukas Graf","offer_id":39670392455203,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/4YcPpnZrar2odlEBnYaTTJ \/ Spotify \/ Peter-Lukas Graf","offer_id":16194193411,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_mLCdzbiBe4aoi4prnIdPk3FYtK8UIweoU \/ Youtube Music \/ Peter-Lukas Graf","offer_id":39496032682019,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/carl-reinecke-carl-gottlieb-reissiger-romantic-flute-concertos\/0829410506663?qref=dac_2 \/ Qobuz \/ Peter-Lukas Graf","offer_id":16194193539,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/136275 \/ Deezer \/ Peter-Lukas Graf","offer_id":16194193603,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/Romantic-Flute-Concertos\/dp\/B0027ASFCQ\/ref=sr_shvl_album_2?ie=UTF8\u0026qid=1366205926\u0026sr=301-2 \/ AmazonMp3 \/ Peter-Lukas Graf","offer_id":16194193667,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2108 \/ Naxos \/ Peter-Lukas Graf","offer_id":31662385550,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/bit.ly\/20ovImN \/ eMusic \/ Peter-Lukas Graf","offer_id":16194193731,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/files\/CD_2108.pdf?v=1657884833 \/ Booklet \/ Peter-Lukas Graf","offer_id":39670392487971,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=OQj88IAL76I\u0026list=PLy5IRCYvmbSz6MOnj35CYhN3VlXR0kDey \/ Video \/ Peter-Lukas Graf","offer_id":39670392520739,"sku":"2108","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2108.jpg?v=1414747520"},{"product_id":"respighi-original-pieces-for-violin-piano","title":"(2002) Respighi: Original Pieces for Violin \u0026 Piano","description":"Bien que Respighi compte parmi les plus importants compositeurs italiens, il garde quelque chose d’énigmatique: qu’est-ce qui rend sa musique si captivante? Serait-ce sa nature italienne? Son usage des couleurs instrumentales, appris auprès de Rimsky-Korsakov? Les influences des compositeurs allemands, de Strauss en particulier? Ou peut-être son sens de la tradition?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eC’est cet aspect qui fait de Respighi un compositeur si intéressant. Son utilisation constante de la réminiscence et de l’allusion, manifestée ici dans ses œuvres pour violon et piano, reflète un langage émotionnel d’une grande puissance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa Sonate en ré mineur est une œuvre de jeunesse, composée alors que Respighi était encore étudiant au Conservatoire de Bologne. L’habileté de son écriture révèle le talent considérable de l’auteur, qui n’était pas seulement un violoniste (et altiste) virtuose mais aussi un pianiste de haut niveau. Composés entre 1902 et 1905, les Six morceaux constituent une suite unique de transcriptions de ses propres œuvres.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComposée plus de dix ans après les Six morceaux, la grande Sonate en si mineur ne tarda pas à devenir l’œuvre de musique de chambre la plus célèbre de Respighi, renommée due en partie à la célébrité des artistes qui la firent connaître, notamment Jascha Heifetz. La passacaglia finale fut considérée comme un exemple magistral du savoir-faire du professeur de composition. Dans son ensemble, cependant, l’œuvre demeure essentiellement romantique, comme le montrent les amples mélodies expressives du premier mouvement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIngolf Turban est l’un des meilleurs violonistes allemands. 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Entre-temps, ses œuvres ont prouvé que Francisco Escudero était l’un des grands compositeurs du 20e siècle et un successeur digne de Ravel, lui-même un descendant du pays Basque.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEscudero a repris de nombreuses techniques de style et de composition de ce siècle, et a créé ainsi des oeuvres marquées par une unité transcendante et l’aspiration à la perfection spirituelle, toutes empreintes d’émotions colorées de son pays.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrancisco Escudero est né à San Sebastiàn le 13 août 1912. Il manifesta très tôt son talent pour la musique et étudia au Conservatoire de San Sebastiàn. Il poursuivit ses études de composition à Madrid, avant de bénéficier de bourses de la Province de Guipuzcoa et de l’Académie Royale des Beaux-Arts, qui lui permirent d’étudier la composition avec Paul Dukas et Paul le Flem à Paris, ainsi que la direction d’orchestre auprès d’Albert Wolff à Munich. En tant que l’un des plus importants compositeurs du pays Basque et d’Espagne, Francisco Escudero a influencé de nombreux jeunes compositeurs de sa contrée.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCet enregistrement offre sur deux CDs les oeuvres orchestrales les plus importantes de ce compositeur. En plus du poème très connu «Le rêve d’un danseur», et du virtuose Concerto pour violoncelle, le premier CD contient aussi le Concerto basque pour piano et orchestre, qui soutient facilement la comparaison avec le Concerto Basque pour piano de Ravel.","brand":"Claves Records","offers":[{"title":"D 2110\/11 \/ 2 \/ Euskadiko Orkestra Sinfonikoa","offer_id":56503297999234,"sku":"2110\/11","price":24.0,"currency_code":"CHF","in_stock":false},{"title":"829410649766 \/ upc \/ Euskadiko Orkestra Sinfonikoa","offer_id":13668960993315,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/basque-music-collection-vol.\/id253866022?l=fr \/ iTunes \/ Euskadiko Orkestra Sinfonikoa","offer_id":32339007766563,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Euskadiko Orkestra Sinfonikoa \/ orchestra \/ Euskadiko Orkestra Sinfonikoa","offer_id":6972200845376,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Euskadiko Orkestra Sinfonikoa","offer_id":45895718414,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/24WKkxblwA1Y4kRpTPe7Gv \/ Spotify \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194196227,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_kU2Si5uEW6yP0HGuXCaMK5SiVK_9zsbYA \/ Youtube Music \/ Euskadiko Orkestra Sinfonikoa","offer_id":39496032747555,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/francisco-escudero-collection-musique-basque-volume-5\/0829410649766 \/ Qobuz \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194196419,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/206959 \/ Deezer \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194196547,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.com\/Basque-Music-Collection-Vol-Francisco\/dp\/B001NWSIYY\/ref=sr_shvl_album_1?ie=UTF8\u0026qid=1372708969\u0026sr=301-1 \/ AmazonMp3 \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194196675,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2110-11 \/ Naxos \/ Euskadiko Orkestra Sinfonikoa","offer_id":31662387022,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/bit.ly\/1V3v8tx \/ eMusic \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194196739,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194196867,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=gCIlKeq_mlE\u0026list=OLAK5uy_kU2Si5uEW6yP0HGuXCaMK5SiVK_9zsbYA \/ Video \/ Euskadiko Orkestra Sinfonikoa","offer_id":39497275768867,"sku":"2110\/11","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2110_11.jpg?v=1414592650"},{"product_id":"telemann-solos-trio-sonatas-for-recorder","title":"(2001) Telemann: Solos \u0026 Trio Sonatas for Recorder","description":"Georg Philipp Telemann avait une réputation exceptionnelle et était très populaire de son vivant, il avait même plus de succès que J. S. Bach ou G. F. Haendel. Johann Mattheson le critique musical le plus prolifique de l’époque déclarait «nous pouvons applaudir Lully et porter aux nues Corelli, mais seul Telemann est au-dessus de tout éloge».\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa musique de Telemann représente une combinaison d’éléments tirés de la «maniera italiana» (lyrisme, style chantant dans des cantilènes ariosos et acrobatique, joyeux et exubérant dans les passages virtuoses) et du bon goût français. Presque toutes les compositions de Telemann portent la marque de ce goût mêlé ; de ses opulentes suites orchestrales jusqu’à ses compositions de musique de chambre pour petits ensembles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCet enregistrement offre une sélection représentative de ses œuvres pour flûte à bec. Elles vont des sonates formelles à quatre mouvements aux fantaisies libres pour flauto solo. Un certain nombre de pièces lentes et lyriques incarnent l’idéal du bel canto italien, alors que des solos audacieux reflètent les modèles des virtuoses du violon italien.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eD’autre part les mouvements de caractère dansant illustrent l’influence française et les pièces en fugato, dans lesquelles on trouve un contrepoint imitatif, font ressortir l’héritage contrapuntique allemand de Telemann. Un certain nombre de mouvements nous donnent un portrait vivant de son côté plus enclin à l’humour (tel que le Spirituoso de la Fantaisie en mi mineur).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCes chefs-d’œuvre baroques brillants sont interprétés par le virtuose suisse de la flûte à bec Maurice Steger accompagné par le Baroque Continuo Consort dirigé par Naoki Kitaya.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Claves Records","offers":[{"title":"CD 2112 \/ 1 \/ Maurice Steger","offer_id":40119962140707,"sku":"2112","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410487665 \/ upc \/ Maurice Steger","offer_id":13668962631715,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/telemann-solos-trio-sonatas\/id253843247?l=fr \/ iTunes \/ Maurice Steger","offer_id":32339007799331,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2001 \/ release \/ Maurice Steger","offer_id":45895718478,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/2oYmY5i0ODwdxl20gBxrhj \/ Spotify \/ Maurice Steger","offer_id":16194198787,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_lj097bX2pANfh78eqal7cI7q6PyzjCgoc \/ Youtube Music \/ Maurice Steger","offer_id":39496032780323,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/georg-philipp-telemann-ouvres-pour-flute-a-bec\/0829410487665 \/ Qobuz \/ Maurice Steger","offer_id":16194199107,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/140581 \/ Deezer \/ Maurice Steger","offer_id":16194199171,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/20VphK9 \/ AmazonMp3 \/ Maurice Steger","offer_id":16194199299,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2112 \/ Naxos \/ Maurice Steger","offer_id":31662387726,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/bit.ly\/1PNxtZr \/ eMusic \/ Maurice Steger","offer_id":16194199427,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Maurice Steger","offer_id":16194199555,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=90nnqM1HMr8\u0026list=PLy5IRCYvmbSxRLq3-KcoPUOVWAqS2qTSN \/ Video \/ Maurice Steger","offer_id":40120306761763,"sku":"2112","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2112.jpg?v=1414749961"},{"product_id":"xixth-clara-haskil-competition-2001-live-recording","title":"(2002) XIXth Clara Haskil Competition 2001 (Live Recording)","description":"Le Concours Clara Haskil, fondé en 1963, a très vite été apprécié comme l’un des plus prestigieux concours pour piano en Europe. Il se déroule tous les deux ans à Vevey, ville où Clara Haskil vécut de 1942 à sa mort en 1960. Le jury, présidé par Michel Dalberto, décerne un seul prix qui ne peut être partagé. Parmi les lauréats des dernières années se trouvent, entre autres: Christoph Eschenbach, Eugeni Korolyov et Till Fellner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA l’issue de la finale avec orchestre, qui s’est déroulée au mois de septembre 2001, le Prix Clara Haskil 2001 a été décerné à Martin Helmchen (Allemagne). Il a gagné ses lauriers en exécutant le Concerto pour piano n°2 en si bémol majeur de Beethoven; accompagné par l’Orchestre della Svizzera Italiana, sous la direction de Lawrence Foster. Sur ce même CD se trouve également l’enregistrement live du Quatuor pour piano en sol mineur de Mozart qu’il interprète avec trois membres du Quatuor Sine Nomine lors de la demi-finale de la compétition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLe Concerto en si bémol majeur de Beethoven, aujourd’hui connu en tant que Concerto n°2, fut en fait composé avant le premier. Dans ces deux premiers mouvements, on y retrouve l’esprit de Mozart, tandis que le dernier mouvement est marqué, surtout dans la partie pour piano, par un ton espiègle. 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Il s’agit d’extraits des cinq premiers volumes de la Collection de musique basque, lancée avec Claves Records, et de l’enregistrement spécial de Ravel, idée qui naquit pendant la tournée triomphale de l’orchestre en Amérique du Sud.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes enregistrements originaux ont été réalisés à San Sebastian, où l’orchestre a son siège, avec la collaboration des solistes Ricardo Requejo, Asier Polo, Maria Bayo, Jonathan Carney, Marta Zabaleta, Angel Pazos et Joaquín Achucarro. L’orchestre est dirigé par Gilbert Varga, Cristian Mandeal, Miguel Angel Gomez Martinez, Gabriel Chmura, Enrique Garcia Asensio et Arturo Tamayo. On peut également entendre deux chœurs avec lesquels l’ensemble collabore depuis longtemps, I’Orfeon-Donostiarra et le Chœur Andra Mari. Chaque CD de la Collection de musique basque est consacré à un compositeur et à ses œuvres symphoniques les plus connues, dont la majorité sont des enregistrements en première mondiale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAvril 2002 marque le 20e anniversaire de l’Orchestre Symphonique d’Euskadi, fondé en 1982 à l’initiative du Département basque de la Culture et des Arts. Depuis sa création, il a donné plus de 1700 concerts et s’est intégré dans la vie culturelle du Pays basque, dont il constitue un élément essentiel, comme en témoignent ses 6000 abonnés. A l’heure actuelle, il est dirigé par Gilbert Varga et Cristian Mandeal.","brand":"Claves Records","offers":[{"title":"CD 2201 \/ 1 \/ Euskadiko Orkestra Sinfonikoa","offer_id":40119962206243,"sku":"2201","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"829410487863 \/ upc \/ Euskadiko Orkestra Sinfonikoa","offer_id":13668963385379,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/sounds-of-the-basque-country\/id288338222?l=fr \/ iTunes \/ Euskadiko Orkestra Sinfonikoa","offer_id":32339007864867,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Euskadiko Orkestra Sinfonikoa \/ orchestra \/ Euskadiko Orkestra Sinfonikoa","offer_id":6972201238592,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2002 \/ release \/ Euskadiko Orkestra Sinfonikoa","offer_id":45895719630,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/7jeSicuuheLhyBvzVRWFnQ \/ Spotify \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194205763,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_laus_ExE0DSXhEczw9yUgpJ0b3qdGS89w \/ Youtube Music \/ Euskadiko Orkestra Sinfonikoa","offer_id":39496032845859,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/jesus-guridi-jose-maria-usandizaga-jesus-arambarri-sons-du-pays-basque\/0829410487863 \/ Qobuz \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194206019,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/132662 \/ Deezer \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194206211,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/Sounds-Of-The-Basque-Country\/dp\/B0027FO9O4\/ref=sr_shvl_album_1?ie=UTF8\u0026qid=1366101700\u0026sr=301-1 \/ AmazonMp3 \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194206339,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2201 \/ Naxos \/ Euskadiko Orkestra Sinfonikoa","offer_id":31663181198,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/basque-national-orchestra\/sounds-of-the-basque-country\/11246930\/ \/ eMusic \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194206467,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Euskadiko Orkestra Sinfonikoa","offer_id":16194206595,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=89lsKriAJ9s?list=PLy5IRCYvmbSzZ2lDjIQdx9ro54LoE4S8B \/ Video \/ Euskadiko Orkestra Sinfonikoa","offer_id":46068059406,"sku":"2201","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2201.jpg?v=1414749561"},{"product_id":"boccherini-six-flute-quintets","title":"(2002) Boccherini: Six Flute Quintets","description":"Luigi Boccherini était admiré et respecté à travers toute l’Europe comme compositeur et instrumentaliste virtuose. Charles Burney, l’historien anglais de musique, écrivit: «Il a probablement donné aux interprètes d’instruments à cordes et aux amateurs de musique bien plus de compositions admirables que tout autre maître de cette époque, Haydn mis à part. Son style est immédiatement plein de maîtrise et d’élégance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl y a dans ses œuvres des mouvements de tous les styles, et qui s’adaptent au génie de l’instrument pour lesquels ils sont écrits, ce qui place Boccherini au sommet parmi les plus grands maîtres ayant jamais composé pour le violon ou le violoncelle...» Même Haydn qualifia un jour Boccherini de «génie». Et Mozart a aussi démontré, dans nombre de ses œuvres, surtout dans ses quintettes à cordes, à quel point il appréciait son aîné.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes quintettes de Boccherini sont parmi les exemples les plus raffinés de musique de chambre classique et n’ont jamais été appréciés à leur juste valeur. Ses œuvres pour flûte et quatuor à cordes (que l’on nomme les quintettes avec flûte) témoignent de l’originalité de ce compositeur. Il se dégage clairement de ces œuvres un charme caractéristique, une invention extraordinaire et un esprit enjoué.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes quintettes avec flûte, que Boccherini qualifiait d’«opera piccola» (petite œuvre, par opposition aux œuvres en trois et quatre mouvements qu’il considérait comme des «opera grande» pour lesquelles il demandait à l’éditeur le prix double) sont toutes des compositions en deux mouvements, en général un Allegro ou un Andante suivi d’un Menuet ou d’un Rondo. Le style «léger» de ces petits joyaux ressort dans la liberté avec laquelle Boccherini traite la forme et recourt aux contrastes très forts pour ainsi changer l’ambiance de façon subjective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCes œuvres sont surtout remarquables par leur style d’expression très personnel qui est instantané, sincère, élégant et serein. Ces chefs-d’œuvre sont magistralement interprétés par l’un des meilleurs ensembles suisses, le Quatuor Sine Nomine, accompagné par la flûtiste Béatrice Jaermann-Degex.","brand":"Claves Records","offers":[{"title":"CD 2202 \/ 1 \/ Quatuor Sine Nomine","offer_id":40119962239011,"sku":"2202","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"829410487160 \/ upc \/ Quatuor Sine Nomine","offer_id":13668963418147,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/boccherini-six-flute-quintets\/id253836393?l=fr \/ iTunes \/ Quatuor Sine Nomine","offer_id":32339007897635,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2002 \/ release \/ Quatuor Sine Nomine","offer_id":45895719694,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/open.spotify.com\/album\/45mGc2c2blzG0F2FMvMkno \/ Spotify \/ Quatuor Sine Nomine","offer_id":16194207875,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_kdejICrd8CZULs3BPBg9L1KchPAXGz_Fo \/ Youtube Music \/ Quatuor Sine Nomine","offer_id":39496032878627,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/luigi-boccherini-six-quintettes-pour-flute\/0829410487160 \/ Qobuz \/ Quatuor Sine Nomine","offer_id":16194208003,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/167139 \/ Deezer \/ Quatuor Sine Nomine","offer_id":16194208067,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/1PlaSBM \/ AmazonMp3 \/ Quatuor Sine Nomine","offer_id":16194208131,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2202 \/ Naxos \/ Quatuor Sine Nomine","offer_id":31663182606,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/beatrice-jaermann-quatuor-sine-nomine\/luigi-boccherini-six-flute-quintets\/11034321\/ \/ eMusic \/ Quatuor Sine Nomine","offer_id":16194208195,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Quatuor Sine Nomine","offer_id":16194208259,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=AK2rFe34a9g\u0026list=PLy5IRCYvmbSyJt1HJJ_25YOwDMg3qsQei \/ Video \/ Quatuor Sine Nomine","offer_id":46089308558,"sku":"2202","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2202.jpg?v=1453889931"},{"product_id":"fontana-sonate-a-uno-due-e-tre","title":"(2002) Fontana: Sonate a uno, due e tre","description":"On ne sait pas grand-chose de la vie de Giovanni Battista Fontana, né probablement entre 1580 et 1589. Son nom figure dans la dédicace des Sonate a quattro, sei et otto de Cesare Gussago, où il est mentionné comme un violoniste «dont la renommée est aussi grande à Venise que celle d’Orphée l’était à Thèbes».\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa deuxième sonate de ce recueil est même intitulée La Fontana. Dans la dédicace de son propre recueil, publié après sa mort, il est décrit comme «l’un des plus remarquables violonistes virtuoses de son temps, [...] bien connu non seulement dans sa ville natale mais aussi à Venise, Rome et Padoue».\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes sonates de Fontana sont encore fermement ancrées dans le style ancien. Les premières expériences du Stile nuovo n’ont pas encore été entièrement assimilées: si le caractère d’improvisation de la monodie de Caccini et l’utilisation libérale du chromatisme dans les madrigaux de Gesualdo ont laissé des traces, les œuvres de Fontana doivent beaucoup plus, en fait, aux canzoni instrumentales de Giovanni Gabrieli.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes trois types de sonates présentent des structures différentes. Dans les sonates pour violon solo, l’accent est mis sur les possibilités techniques de l’instrument. Les sonates pour deux instruments offrent l’attrait supplémentaire de la compétition; c’est là que s’expriment l’habileté du virtuose et le charme des imitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes sonates à trois, enfin, présentent les structures les plus nettes. Les proportions entre les mesures binaires et ternaires, l’équilibre entre la polyphonie savante, les chansons d’inspiration populaire et les airs dansants, ainsi que la diversité de l’instrumentation font de ces sonates des œuvres construites avec art et remarquables par la justesse de leurs proportions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eL’Ensemble Icarus, fondé en 1991, est renommé bien au delà des frontières pour son interprétation merveilleuse de la musique des 17e et 18e siècles.","brand":"Claves Records","offers":[{"title":"CD 2203 \/ 1 \/ Icarus Ensemble","offer_id":40119962271779,"sku":"2203","price":18.5,"currency_code":"CHF","in_stock":false},{"title":"829410487061 \/ upc \/ Icarus Ensemble","offer_id":13668963450915,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/fontana-sonate-a-uno-due-e-tre\/id287356038?l=fr \/ iTunes \/ Icarus Ensemble","offer_id":32339007930403,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Giovanni Battista Fontana \/ Composers \/ Icarus Ensemble","offer_id":56202053943682,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2002 \/ release \/ Icarus Ensemble","offer_id":45895719758,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/open.spotify.com\/album\/17nkFu5TtNPrWFPUjYQz4K \/ Spotify \/ Icarus Ensemble","offer_id":16194208643,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_k8sS7SaEWy8-XxjHMoYs4j3hzAPEXkoEI \/ Youtube Music \/ Icarus Ensemble","offer_id":39496032911395,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/giovanni-battista-fontana-sonates-sur-instruments-depoque\/0829410487061 \/ Qobuz \/ Icarus Ensemble","offer_id":16194208771,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/130594 \/ Deezer \/ Icarus Ensemble","offer_id":16194208835,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/amzn.to\/1TSlueL \/ AmazonMp3 \/ Icarus Ensemble","offer_id":16194208899,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2203 \/ Naxos \/ Icarus Ensemble","offer_id":31663182670,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/icarus-ensemble\/fontana-sonatas-on-original-instruments\/11262552\/ \/ eMusic \/ Icarus Ensemble","offer_id":16194208963,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Icarus Ensemble","offer_id":16194209027,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=03Fwc_radNc\u0026list=OLAK5uy_k8sS7SaEWy8-XxjHMoYs4j3hzAPEXkoEI \/ Video \/ Icarus Ensemble","offer_id":39497275801635,"sku":"2203","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2203.jpg?v=1414688012"},{"product_id":"vivaldi-the-four-seasons-mandoline-violin-concertos","title":"(2003) Vivaldi: The Four Seasons - Mandoline \u0026 Violin Concertos","description":"Le chef-d'oeuvre d'Antonio Vivaldi, «Les quatre saisons», c'est-à-dire les quatre concertos de son opus 8, est probablement la musique baroque la plus connue et souvent la plus maltraitée. De nombreux compositeurs s'en sont appropriées alors même que Vivaldi vivait encore, la modifiant à leur gré. L'oeuvre «Le Printemps ou les saisons amusantes» par exemple, a été arrangée pour instruments populaires, comme cornemuse et orgue de barbarie! En 1766, Michel Corrette compose le psaume «Laudate Dominum de coelis», en ajoutant des voix supplémentaires à la musique du «Printemps», tandis qu'en 1775, Jean-Jacques Rousseau publie une version du «Printemps» pour flûte solo! \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Duilio Galfetti, virtuose violoniste, et Diego Fasolis, chef d'orchestre, ainsi que l'ensemble I Barocchisti sont de grands connaisseurs et spécialistes de la musique baroque. Ensemble ils interprètent les merveilleuses «Quatre saisons» avec des instruments d'époque. I Barocchisti ont ajouté à certains passages de musique des instruments à vent, technique employée pour d'autres oeuvres de Vivaldi par un élève et ami du compositeur, Johann Georg Pisendel. L'effet est extraordinaire: de légers et discrets coups de pinceaux ajoutent coloris et lumière aux saisons les plus connues de l'Histoire. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Ce disque offre en plus quatre autres concertos de Vivaldi. Dans le Concerto pour mandoline «...Con tutti li violini pizzicati», Duilio Galfetti prouve qu'il est également un grand virtuose de la mandoline. Galfetti est le fondateur des ensembles Vanitas et I Barocchisti. \u003cbr\u003e","brand":"Claves Records","offers":[{"title":"CD 2204 \/ 1 \/ Duilio Galfetti","offer_id":40119939498019,"sku":"2204","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"829410486965 \/ upc \/ Duilio Galfetti","offer_id":13668963483683,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.apple.com\/us\/album\/vivaldi-four-seasons-mandoline\/id286202430?l=fr \/ iTunes \/ Duilio Galfetti","offer_id":32339007963171,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"2003 \/ release \/ Duilio Galfetti","offer_id":45895719950,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/open.spotify.com\/album\/03Jb06BmcXXRts8g1A7CbR \/ Spotify \/ Duilio Galfetti","offer_id":16194209539,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_n02mQToPQg_1Y0rADHcJ0V8uV7krHwD70 \/ Youtube Music \/ Duilio Galfetti","offer_id":39496032944163,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.qobuz.com\/album\/antonio-vivaldi-les-quatre-saisons\/0829410486965 \/ Qobuz \/ Duilio Galfetti","offer_id":16194209667,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.deezer.com\/album\/132660 \/ Deezer \/ Duilio Galfetti","offer_id":16194209731,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.amazon.fr\/gp\/product\/B00008X5C5\/ref=dm_dp_cdp?ie=UTF8\u0026qid=1366035338\u0026s=music\u0026sr=1-1-catcorr \/ AmazonMp3 \/ Duilio Galfetti","offer_id":16194209795,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.naxosmusiclibrary.com\/catalogue\/item.asp?cid=CD50-2204 \/ Naxos \/ Duilio Galfetti","offer_id":31663182798,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"http:\/\/www.emusic.com\/album\/duilio-galfetti-i-barocchisti-diego-fasolis\/le-quattro-stagioni-the-four-seasons\/11246896\/ \/ eMusic \/ Duilio Galfetti","offer_id":16194209859,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ Booklet \/ Duilio Galfetti","offer_id":16194209923,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"https:\/\/www.youtube.com\/watch?v=F4jFUHVYZAs?list=PLy5IRCYvmbSxWaDf9o1ueY4kseUZ_ltvH \/ Video \/ Duilio Galfetti","offer_id":46068059470,"sku":"2204","price":0.0,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0496\/4069\/products\/CD_2204.jpg?v=1418894686"},{"product_id":"romantic-french-concertos-pieces-for-harp-orchestra","title":"(2002) Romantic French Concertos \u0026 Pieces for Harp \u0026 Orchestra","description":"La harpe semble bien être un des plus vieux instruments du monde. Mais il faut attendre Berlioz et plus encore Debussy pour qu’une écriture spécifique lui soit dediée. A partir de là, tous les grands auteurs s’y réfèrent, faisant même de l’école française la quintessence de cet art délicat, éminemment pur et poétique: les quatre partitions inscrites sur ce disque le prouvent. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Avec sa superbe Pièce de concert, Gabriel Pierné s’éloigne de toute facilité – d’architecture, d’écriture, de style. Avec cette page, la harpe a définitivement quitté le salon pour s’imposer par elle-même et ses propres vertus musicales. François Adrien Boïeldieu, à vingt ans, a écrit une œuvre pérenne: le concerto pour harpe en ut majeur. S’il n’y eut point de «second» concerto, le musicien, en revanche, lui dédia plusieurs sonates. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Le Morceau de concert de Camille Saint-Saëns, comme tout «morceau de conservatoire», est destiné à faire briller et l‘instrument et l‘instrumentiste. C‘est bien un test de démonstration», en quelque sorte... Et voici la grande Henriette Renié, dont Lily Laskine disait: «Penser harpe, c’est penser Henriette Renié.» Elle crée chez Lamoureux, dès 1901, son Concerto pour Harpe: c‘est un succès éclatant qui se répétera dans toutes ses tournées de concert. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Xavier de Maistre reçoit son premier prix international à Paris à l’âge de 16 ans. De nombreux prix suivront, parmi lesquels il faut citer ceux de Cardiff, Munich et Tel Aviv. En 1998, il remporte le premier prix du USA International Harp Competition (Bloomington). En tant que soliste, Xavier de Maistre s’est produit dans toute Europe, aux Etats-Unis et au Japon. 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Sa Suite «Carmen» (lire ci-dessous) l’a rendu célèbre. Claves Records est heureux de l’honorer en publiant à l’occasion de son 70e anniversaire ce CD qui contient cette superbe suite ainsi que deux premiers enregistrements mondiaux, d’autres œuvres de ce compositeur surprenant. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Shchedrin a écrit sa Suite «Carmen» en 1967. C’était la musique d’un ballet en un acte pour le Bolchoï. C’est une preuve surprenante de son immense talent de l’orchestration. Sans en altérer la matière musicale, Shchedrin l’a transformée en se contentant d’en varier les couleurs et l’orchestration. La palette de sonorités ainsi créées est époustouflante. La partition et le ballet ont toutefois été accueillis froidement non seulement par les bureaucrates et les politiques, mais aussi par quelques musiciens. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Comme Shchedrin le rappelle, c’est Chostakovitch qui est venu à la rescousse. «Il s’est adressé au Ministère de la Culture, il a appelé des officiels de haut rang, etc.» En fait, Chostakovitch ne s’est pas contenté de faire des téléphones, il a donné une interview. «J’ai vu la Suite «Carmen» au Bolchoï et j’ai été sincèrement surpris par la façon brillante dont Shchedrin a transcrit la musique de Bizet. C’est un travail d’une grande indépendance d’esprit, je dirais même que c’est de la musique originale. Elle devrait être placée sur le même plan que les transcriptions de Liszt ou de Busoni. Et tellement peu prétentieuse ! \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Aucune des mélodies de Bizet n’a été changée ; les accents ont simplement été légèrement déplacés... Je sais que pour beaucoup de gens, l’expérience de Shchedrin peut paraître iconoclaste voire blasphématoire. Mais regardez le résultat, une célébration joyeuse du ballet, et au-delà un grand succès pour la musique soviétique... Nous aurions besoin de bien plus d’expériences de ce genre!» \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Ce disque contient aussi deux premiers enregistrements mondiaux. «Photographies russes» est une suite en quatre mouvements composée en 1994, instantanés de la vie russe. «Velicanie» (Glorification) pour orchestre à cordes a été écrite en septembre 1995, commandée par le Forum Economique de Davos en Suisse. 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Il doit à ses concerts exceptionnels avec les meilleurs ensembles baroques, tels Musica Antiqua Köln, Europa Galante, Sonatori de la Gioiosa Marca, Akademie für Alte Musik Berlin, d'être l'invité des plus grands festivals, d'émissions de radio et de grandes tournées dans toute l'Europe. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Ses concerts avec l'orchestre I Barocchisti, sous la direction de Diego Fasolis, ont rencontré un vif succès. Maurice Steger est aussi un passionné d'instruments historiques, s'intéresse beaucoup à la pratique de l'exécution, interprète sur des instruments modernes des œuvres de quatre siècles et joue régulièrement avec le Zürcher Kammerorchester sous la direction de Howard Griffiths. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Les cinq CDs de Maurice Steger réalisés chez Claves Records ont été très bien accueillis par la presse et couronnés par de nombreux prix internationaux. 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