{"title":"Alan Ridout (1934-1996)","description":null,"products":[{"product_id":"impressions","title":"(2026) IMPRESSIONS","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eLively and enthusiastic, \u003ca href=\"\/collections\/amia-janicki\"\u003eAmia Janicki\u003c\/a\u003e\u003ca href=\"https:\/\/www.claves.ch\/collections\/amia-janicki\"\u003e\u003c\/a\u003e makes no secret of her admiration for \u003ca href=\"\/collections\/george-enescu\"\u003eGeorge Enescu\u003c\/a\u003e\u003ca href=\"https:\/\/www.claves.ch\/collections\/george-enescu\"\u003e\u003c\/a\u003e (1881–1955), an artist she describes as “well-rounded, humble, and so devoted to music in all its forms, from teaching to the violin and the piano”. The violinist – who has a particular love for 20th-century repertoire – recorded Enescu’s admirable \u003ci\u003eOctet \u003c\/i\u003ein 2023 for the Belgian label Fuga Libera. Three years later, she places the Romanian composer’s \u003ci\u003eImpressions d’enfance \u003c\/i\u003e(Child­hood impressions), Op. 28, at the heart of her first solo album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOf Austrian, Polish, and Japanese heritage, Amia Janicki is especially attuned to the interplay between modernity and tradition, and between folklore and so-called “classical” music. Yet her artistic commit­ment goes further. The young Swiss violinist, who studied in Geneva with Tedi Papavrami and in Vienna under Pavel Vernikov, is a laureate of numerous international competitions including the Jean Sibe­lius International Violin Competition, and a former artist-in-residence at the Chapelle Reine Elisabeth (in Augustin Dumay’s class). She dreams of a performing career not confined to the stage, but one that takes on a more creative dimension, connecting the concert hall experience to other artistic fields. Amia Janicki enjoys weaving connections between the arts, and her identity as a musician is also defined through collaborations, such as the one she developed in 2022–2023 with choreographer Sidi Larbi Cherkaoui on his ballet \u003ci\u003eUkiyo-e\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eIt is through collaboration that she approaches the creation of George Enescu’s \u003ci\u003eImpressions d’enfance\u003c\/i\u003e. A highly virtuosic piece, it is also one of the composer’s few programmatic works, evoking highly visual atmo­spheres. The violinist sees it as an opportunity to introduce 20th-century music to non-specialist audi­ences. Rather than producing a mere visual illustration of the soundscapes, she initiated the creation of a short film with director Lily Landecy, featuring herself alongside pianist \u003ca href=\"\/collections\/kojiro-okada\"\u003eKojiro Okada\u003c\/a\u003e and narrator Denis Lavant, two long-standing collaborators. Through this \u003ca href=\"https:\/\/vimeo.com\/1016492147\/01df673a8e\" target=\"_blank\" rel=\"noopener\"\u003eshort film\u003c\/a\u003e, Amia Janicki hopes to shed new light on Enescu’s work, placing it within its historical context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGeorge Enescu’s musical talent was recognised very early on; he was just eight years old when he left his native Romania to study music, first in Vienna and then in Paris. His career unfolded between Paris and Bucharest, before his definitive exile during the com­munist era. His style evolved continuously. His early works resonate with the influence of Brahms and his teacher Gabriel Fauré, whilst also drawing inspiration from Romanian folklore. He rapidly integrated the quarter-tone into his musical language, and listeners are constantly struck by the heterophonic and rhythmic richness of his works. Moreover, this apparent simplicity conceals a profound complexity that defies analysis, prompting Harry Halbreich to write: “If an early work such as the brilliant \u003ci\u003eOctet\u003c\/i\u003e, completed at the age of nineteen, already equals Schoenberg in combinatorial and formal richness, what then of the mature works!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eWhen Enescu composed his \u003ci\u003eImpressions d’enfance \u003c\/i\u003ein 1940 – the same year as his celebrated Piano Quintet – he was approaching sixty. In a Europe at war, the composer had recently moved to Romania and turned to his childhood memories. His \u003ci\u003eImpressions \u003c\/i\u003eharbour a profound nostalgia, but also a certain bitterness, as Amia Janicki points out. Divided into ten linked movements with evocative titles, they form a vast poem that takes the listener on a journey from day to night. The violin soars forth alone in “Le Ménétrier” (The Country Fiddler) – the piano entering only in the second piece – in a long, improvised melody that explores the full range of the instrument’s timbres. After a nostalgic evocation of the “Vieux mendiant” (The Old Beggar) comes “L’Oiseau en cage” (The Bird in the Cage), in which the violin mimics the bird’s song, establishing an increasingly unsettling and menacing atmosphere. The “Chanson pour bercer” (Lullaby), with its folk-like, comforting, and haunting touch, sounds reminiscent of ancient lullabies from the depths of time. “La lune” (The Moon) glimpsed “à travers les vitres” (Through the Windowpanes) leads to the “Vent dans la cheminée” (Wind in the Chimney), and then to the “Tempête au dehors dans la nuit” (Storm Outside in the Night), evoking the noc­turnal fears of childhood, before the “Lever de soleil” (Sunrise) unfolds, first poetic and light, then gradually revealing warmth, ardour, and the joy of life’s return. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eWhilst George Enescu drew inspiration from his Romanian childhood and dedicated the work to his first violin teacher, Eduard Caudella, Igor Stravinsky (1882–1971) conceived his \u003ci\u003eDivertimento \u003c\/i\u003eduring the same decade, equally as a tribute to a composer he deeply admired, Pyotr Ilyich Tchaikovsky. The work also resulted from a collaboration between the composer and the American violinist of Polish origin Samuel Dushkin, for whom Stravinsky transcribed in 1932 for violin and piano the original music from the ballet \u003ci\u003eLe Baiser de la Fée \u003c\/i\u003e(The Fairy’s Kiss), which was premiered at the Paris Opéra four years earlier. Commissioned by Ida Rubinstein and inspired by Hans Christian Andersen’s \u003ci\u003eThe Snow Queen\u003c\/i\u003e, this ballet led to the definitive rupture between the composer and Sergei Diaghilev. Described as “neo-classical” in style, the work draws on thematic material from several of Tchaikovsky’s early compositions. In the \u003ci\u003eDivertimento\u003c\/i\u003e, the composer reworks and condenses the work into a few movements: the \u003ci\u003eSinfonia \u003c\/i\u003erecapitulates the action of the ballet’s first scene, in which the Snow Queen kisses a child. This is followed by the \u003ci\u003eDanses suisses \u003c\/i\u003e(Swiss Dances), which take on a folk character, and then by the three parts of the pas de deux: \u003ci\u003eAdagio\u003c\/i\u003e, \u003ci\u003eVariation\u003c\/i\u003e, and \u003ci\u003eCoda\u003c\/i\u003e. As André Boucourechliev writes in his biography of the composer, Stravinsky passed from “virtuoso juggling with Tchaikovsky’s material to a complete identification of himself with the spirit of his great predecessor, and a fascination which found expression in a great outburst of creative activity”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eStravinsky chose an Andersen tale as the basis for \u003ci\u003eThe Fairy’s Kiss\u003c\/i\u003e. Another story similarly inspired the creation, in 1971, of \u003ci\u003eFerdinand the Bull\u003c\/i\u003e, a work by the English composer Alan Ridout (1934–1996). The picture book, written by the American author Munro Leaf, was published in 1936 during the Spanish Civil War. Titled \u003ci\u003eThe Story of Ferdinand\u003c\/i\u003e, it rapidly became a best-seller. It tells of a young bull who prefers look­ing at flowers to fighting others. A prolific composer with a largely tonal style, \u003ca href=\"\/collections\/alan-ridout\"\u003eAlan Ridout\u003c\/a\u003e\u003ca href=\"https:\/\/www.claves.ch\/collections\/alan-ridout\"\u003e\u003c\/a\u003e chose the solo violin to illustrate – alongside the narrator – the atmosphere, emotions, and humour of this tale, which has retained all its freshness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eEach of the works selected for this debut album resonates as a nod to the world of childhood. And \u003ca href=\"\/collections\/harold-noben\"\u003eHarold Noben\u003c\/a\u003e\u003ca href=\"https:\/\/www.claves.ch\/collections\/harold-noben\"\u003e\u003c\/a\u003e’s \u003ci\u003eYōkai \u003c\/i\u003eis no exception. In 2020, Amia Janicki discovered Noben’s music whilst perform­ing his chamber opera \u003ci\u003eÀ l’extrême bord du monde \u003c\/i\u003e(At the Very Edge of the World) at La Monnaie in Brussels, a work that evokes the tragic end of Stefan Zweig and his wife Lotte. Amia Janicki immediately decided to commission a violin piece from him to feature in this programme. Inspired by the world of childhood and folklore, and recalling her Japanese origins, she suggested to the composer that they explore the Yōkai, those fantastic creatures typical of Japanese folk tradition, sometimes described as monsters, sometimes as spirits, sometimes mischie­vous, sometimes malevolent, but most often playful in nature. Composed for violin, piano, and narrator, the work presents, after a prologue, the characters of several of these Yōkai, set to words and music by Harold Noben. The music thus re-enchants the world and, just as in Enescu’s \u003ci\u003eImpressions d’enfance\u003c\/i\u003e, weaves links between the human and supernatural realms, constituting, perhaps, one of the finest characteristics of modernity in music. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR-CH; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eBénédicte Gandois \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR-CH; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003cbr\u003e\u003ci\u003eTranslation: Michelle Bulloch – Musitext\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eAMIA JANICKI \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eA committed young performer, \u003ca href=\"\/collections\/amia-janicki\"\u003eAmia Janicki\u003c\/a\u003e\u003ca href=\"https:\/\/www.claves.ch\/collections\/amia-janicki\"\u003e\u003c\/a\u003e shares music on stage, but also promotes her own creative work. Passionate about interdisciplinary projects, the Swiss violinist co-created the short film \u003ci\u003eL’Oiseau\u003c\/i\u003e, produced by \u003ci\u003eLe Hangar production \u003c\/i\u003eand inspired by Georges Enescu’s \u003ci\u003eImpressions d’enfance, Op. 28\u003c\/i\u003e, which was released in 2023. This project arose from a collaboration blending the worlds of cinema and music. She also worked with choreographer Sidi Larbi Cherkaoui in 2022–2023 on his ballet \u003ci\u003eUkiyo-e\u003c\/i\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eA laureate of the Jean Sibelius International Violin Competition and winner of First Prize at the Václav Huml International Violin Competition, Amia was artist-in-residence at the Queen Elisabeth Chapel in Augustin Dumay’s class, and obtained a master’s degree in solo performance at the Haute École de Musique de Lausanne under Svetlana Makarova. She was trained in her youth by Tedi Papavrami in Geneva. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eShe performs at prestigious venues and festivals such as the Musikverein, the Vienna Konzerthaus, Bozar and the La Roque-d’Anthéron Festival, and plays with orchestras such as the Helsinki Philharmonic Orchestra, the Tonkünstler Orchestra, and the Lithuanian National Symphony Orchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eIn 2023, she also recorded Enescu’s Octet for Fuga Libera. Amia plays a 1645 violin by Niccolò Amati, on loan from the Maggini Foundation with the support of LS Core. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eFrom the 2026 academic year, she will join the LUCA School of Arts as a violin teacher, and also the Zurich University of the Arts as an assistant to Andreas Janke.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e[\u003ca href=\"https:\/\/www.amiajanicki.com\/\" rel=\"noopener\" target=\"_blank\"\u003eArtist Website\u003c\/a\u003e]\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eKOJIRO OKADA \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBorn in Bordeaux in 1999, \u003ca href=\"\/collections\/kojiro-okada\"\u003eKojiro Okada\u003c\/a\u003e began learning the piano at the age of seven with Anne-Lise Gastaldi. From a very young age, he has performed at several prestigious venues, notably at the Salle Pleyel in 2010 for the bicentenary of Chopin, at the Théâtre du Châtelet in 2013, at the Philharmonie de Paris in 2022, followed by the Concertgebouw in Amsterdam and La Seine Musicale in 2024. He also performs regularly at the Salle Cortot and the Salle de Musique in La Chaux-de-Fonds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eHis international engagements include two chamber music tours of North America: in 2022 with violist Miguel da Silva, and then in March 2025 with several renowned partners. He recently performed at the Seoul Arts Centre with violinist Augustin Dumay in a complete cycle of Brahms’ sonatas. A regular guest at numerous festivals, including the Nohant Chopin Festival, La Roque d’Anthéron, the Folles Journées de Nantes and the Sommets Musicaux de Gstaad, he is also a regular guest at Flagey in Brussels. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eA passionate chamber musician, Kojiro was the pianist with the Trio Pantoum until 2025, with whom he recorded for La Dolce Volta. He now maintains a busy schedule as a soloist and chamber musician, notably performing in a duo with his brother, the violinist Shuichi Okada. He has collaborated with artists such as Nicholas Angelich, Jean- Efflam Bavouzet, Frank Braley, Miguel da Silva, Gary Hoffman, Jian Wang, Bertrand Chamayou and Augustin Dumay. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eA graduate of the CNSMD in Paris, where he studied under Hortense Cartier-Bresson and Florent Boffard, he is currently artist-in-residence at the Queen Elisabeth Music Chapel, under the direction of Frank Braley and Avedis Kouyoumdjian. A laureate of the Banque Populaire and Safran Foundations, he has won several international awards, including first prizes at the Gabriel Fauré and Società Umanitaria competitions in Milan, as well as prizes at the Ricardo Viñes Competition and the Japan Piano Open Competition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e[\u003ca href=\"https:\/\/www.kojirookada.com\/\" rel=\"noopener\" target=\"_blank\"\u003eArtist Website\u003c\/a\u003e]\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"MsoNormal\"\u003eDENIS LAVANT\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003eTrained at the Conservatoire National Supérieur d’Art Dramatique, \u003ca href=\"\/collections\/denis-lavant\"\u003eDenis Lavant\u003c\/a\u003e is a distinctive and powerful figure in French cinema. \u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eA great stage actor, he has notably worked with Pierre Pradinas, Hans Peter Cloos, Bernard Sobel, Dan Jemmet, James Thierrée and Jacques Osinski, with whom he has been collaborating for several years on the works of Samuel Beckett … Having developed a taste for poetry at a very early age, he is also the voice of many poets who are both little-known and under-appreciated, whose works he regularly reads in public. In cinema, he has been the signature actor of director Leos Carax, from \u003ci\u003eBoy Meets Girl \u003c\/i\u003ein 1983 to \u003ci\u003eHoly Motors\u003c\/i\u003e, released in 2012 – a sensation at the 65th Cannes Film Festival – in which Denis Lavant plays eleven roles all by himself. He has also acted, amongst others, under the direction of Patrice Chéreau, Diane Kurys, Jean-Pierre Jeunet, Claude Lelouch, Claire Denis, Harmony Korine, Arnaud des Pallières, Wolfgang Becker, Dominique Rocher, Emily Atef, Pierre Schoeller, Philippe Lacôte and Mathieu Gérault. More recently, he has worked with Swedish director John Skoog on his film \u003ci\u003eRedoubt \u003c\/i\u003eand with François Ozon on \u003ci\u003eL’étranger\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e[\u003ca href=\"https:\/\/fr.wikipedia.org\/wiki\/Denis_Lavant%20\" rel=\"noopener\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e]\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"MsoNormal\"\u003eWatch the Short-Film \"L'Oiseau\" on Vimeo\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/1016492147?h=01df673a8e\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e[\u003ca href=\"https:\/\/vimeo.com\/1016492147\/01df673a8e\" target=\"_blank\" rel=\"noopener\"\u003eView the Short-Film\u003c\/a\u003e]\u003c\/p\u003e","brand":"Claves Records","offers":[{"title":"CD 3166 \/ 1 \/ Amia Janicki","offer_id":56963117613442,"sku":"3166","price":18.5,"currency_code":"CHF","in_stock":true},{"title":"# \/ orchestra \/ Amia Janicki","offer_id":56963117646210,"sku":"3166","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ choir \/ Amia Janicki","offer_id":56963117678978,"sku":"3166","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ ensemble \/ Amia Janicki","offer_id":56963117711746,"sku":"3166","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"# \/ conductor \/ Amia Janicki","offer_id":56963117744514,"sku":"3166","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"20.11.2026 \/ release \/ Amia Janicki","offer_id":56963117777282,"sku":"3166","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ single \/ Amia Janicki","offer_id":56963117810050,"sku":"3166","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"Not available \/ smart_links \/ 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