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Our guide to the ten best ways to expand your Chopin collection
One of the most loved and frequently recorded composers of all, here is our guide to the ten best ways to expand your Chopin collection
No 1
Piano Concertos
Martha Argerich pf Montreal SO / Charles Dutoit(Warner Classics)'Allure, brilliance and idiosyncrasy' Read review
N...
An hour spent with Mozart in light-music mode is always an hour well spent, and here we have not one but two hours of entertainment and pleasure. The Haffner Serenade appears to have been written as a Brautmusik (‘bride music’), commissioned by its namesake for the wedding of his sister. What we hear actually starts with the D major March, K249...
Our journey through the greatest Chopin recordings continues, from Pires in the Nocturnes to Pogorelich in the Scherzos
All of the reviews printed below were originally published in Gramophone, the world's leading classical music magazine. To find out more about subscribing, visit: gramophone.co.uk/subscribe
Listening to his impressive new rec...
Stanford’s answer to the great Russian concerto
It is not perhaps surprising that the key, opening flourishes and other episodes in this splendid concerto recall Rachmaninov’s Piano Concerto No 2. Stanford had conducted its British premiere, with the composer as soloist, the year before he completed his own. If the second and third movements do...
Collins’s refreshing pianism makes a welcome return to this Schumann survey
The Swiss label Claves has struck gold with Finghin Collins, the Irish pianist who won the Clara Haskil International Piano Competition in 1999. Vol 1 was glowingly reviewed in these pages (A/06) and, while Vol 2 was given to another pianist (Cédric Pescia; 3/07), Clave...
This is Guillaume Bellom’s first solo CD and his debut on Claves. His programme contrasts Classical-era Haydn and Schubert with the very different world of his compatriot Debussy.
He has previously recorded a disc of Schubert’s piano duet works so perhaps it’s not surprising that he should sound utterly at home in the G major Sonata, D894, with...
A young pianist showing an uncanny and moving empathy with Schumann
Vol 1 of Finghin Collins’s Schumann cycle is revelatory. In this young Irish pianist we have an artist (and I use the word advisedly) of rare poetic empathy, one with an uncanny and moving capacity to arrive at the still centre, the very heart, of Schumann’s teeming and frenzie...
Lauréat du concours Clara Haskil à Vevey en 2013, Cristian Budu poursuit sa course à l’excellence. Avec son double héritage roumain et brésilien, alliant à merveille dans son jeu la veine musicale slave et le feu des rythmes du folklore traditionnel de Sao Polo, il fait passer dans les Bagatelles op.33 de Beethoven et les Préludes op.28 de Chopi...
Mendelssohn’s six organ sonatas do not crop up all that often on the same disc. They tend to come as single spies rather than in battalions. With the exception of several individual movements, none has approached public popularity. More fantasias than sonatas, they surely owe something to the composer’s legendary skill as an improviser while inc...
Listening to his impressive new recording, it’s easy to understand why Cristian Budu won the Clara Haskil Competition in Vevey three years ago this September. A Brazilian of Romanian descent who studied at the University of São Paulo and the New England Conservatory, Budu is a stunningly original pianist with musical insight and maturity that c...
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